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Between Worlds

September 15 – November 7, 2026

Jessica Cannon Suspension, 2024

Jessica Cannon
Suspension, 2024
Acrylic and iridescent pigments on linen
72 x 120 x 2 in
182.9 x 304.8 x 5.1 cm

Nancy Lorenz Lemon Gold Cloud, 2023

Nancy Lorenz
Lemon Gold Cloud, 2023
Lemon gold leaf, gilder’s clay, cardboard, on wood panel
50 x 40 in
127 x 101.6 cm

Pae White Drone-Drome B, 2016

Pae White
Drone-Drome B, 2016
Lurex, cotton polyester, Loro Piana cashmere
98 x 98 in
248.9 x 248.9 cm

Jose Alvarez (D.O.P.A.)

Jose Alvarez (D.O.P.A.)
Song of Freedom (Carmen Ortega, The Light Within You), 2022
Feathers, ink, colored pencil and collage on mica on wood panel
48 x 36 in
121.9 x 91.4 cm

Jose Alvarez (D.O.P.A.)

Jose Alvarez (D.O.P.A.)
Song of Freedom (The Light Within You), 2022
Feathers, ink, porcupine quills, colored pencil and collage on mica on wood panel
48 x 36 in
121.9 x 91.4 cm

Kris Knight Gold Turns To Green (Sean & Forsythia), 2025

Kris Knight
Gold Turns To Green (Sean & Forsythia), 2025
Oil on canvas
14 x 23 1/2 in
35.6 x 59.7 cm

Rob Wynne HEAVENLY, 2025

Rob Wynne
HEAVENLY, 2025
Poured and mirrored glass
21 x 34 in
53.3 x 86.4 cm

T.J. Wilcox Hyacinth’s Eternal Return, 2020

T.J. Wilcox
Hyacinth’s Eternal Return, 2020
archival matte ink-jet on rag paper
56 x 43 in
142.2 x 109.2 cm
Edition 3 of 3 plus 1 AP

Marilyn Minter Lash Splash, 2024

Marilyn Minter
Lash Splash, 2024
Dye Sublimation Print
40 x 30 in
101.6 x 76.2 cm
Edition of 5 + 2 AP

Maynard Monrow Untitled (Migration Makes The World Go Round), 2025

Maynard Monrow
Untitled (Migration Makes The World Go Round), 2025
Mirror Polished Bronze
19 x 13 x 2 in
48.3 x 33 x 5.1 cm
Edition of 4 plus 2 AP

Field Kallop Spring (Study), 2026

Field Kallop
Spring (Study), 2026
Watercolor, gold leaf and silver leaf on canvas
23 x 30 in
58.4 x 76.2 cm

Andrew Brischler Self Portrait (as Diane), 2025

Andrew Brischler
Self Portrait (as Diane), 2025
Gouache, colored pencil, and graphite on paper mounted to panel
35 x 28 in
88.9 x 71.1 cm

Renée Condo Ga'qanei, 2025

Renée Condo
Ga'qanei, 2025
Wood bead, wood panel, resin, acrylic paint
72 x 60 x 2 1/2 in
182.9 x 152.4 x 6.3 cm

T.J. Wilcox Erratics 7, 2021

T.J. Wilcox
Erratics 7, 2021
Archival Inkjet Print
69.5 x 33.5 in (176.5 x 85.1 cm) Framed
Edition of 1 + 1 AP

T.J. Wilcox Erratics 1, 2021

T.J. Wilcox
Erratics 1, 2021
Archival Inkjet Print
69.5 x 33.5 in (176.5 x 85.1 cm) Framed
Edition of 1 + 1 AP

Lisa Anne Auerbach

Lisa Anne Auerbach
Illicit Library: Amerika, 2023
Wool on canvas
54 x 45 in
137.2 x 114.3 cm

Lisa Anne Auerbach

Lisa Anne Auerbach
Illicit Library: Closer, 2023
Wool on canvas
54 x 45 in
137.2 x 114.3 cm

Rob Wynne Spider Webs, 2017

Rob Wynne
Spider Webs, 2017
Glass beads and thread on vellum
21 x 27 in
53.3 x 68.6 cm

Rob Wynne Large Octopus 2, 2006

Rob Wynne
Large Octopus 2, 2006
Glass beads and thread on vellum
27 x 21 in
68.6 x 53.3 cm

Rob Wynne A Slave Again, Of Love, 2013

Rob Wynne
A Slave Again, Of Love, 2013
Glass beads and thread on vellum
27 x 21 in
68.6 x 53.3 cm

Rob Wynne Metamorphosis, 2016

Rob Wynne
Metamorphosis, 2016
Glass beads and thread on vellum
21 x 17 in
53.3 x 43.2 cm

Rob Wynne Mirror Image, 2020

Rob Wynne
Mirror Image, 2020
Glass beads and thread on vellum
21 x 27 in
53.3 x 68.6 cm

Rob Wynne Hornet, 2012

Rob Wynne
Hornet, 2012
Glass beads and thread on vellum
27 x 21 in
68.6 x 53.3 cm

Press Release

GAVLAK is pleased to present Between Worlds, a group exhibition bringing together artists whose works occupy spaces of transition: between the material and spiritual, earthly and celestial, familiar and otherworldly. Across painting, photography, textiles, collage, sculpture, and glass, the exhibition explores how materials can become thresholds—carrying viewers from what is immediately visible toward more elusive states of memory, desire, transformation, and transcendence.

The exhibition features work by Jose Alvarez (D.O.P.A.), Lisa Anne Auerbach, Andrew Brischler, Jessica Cannon, Renée Condo, Field Kallop, Kris Knight, Nancy Lorenz, Marilyn Minter, Maynard Monrow, Pae White, T.J. Wilcox, and Rob Wynne. Across the presentation, seductive surfaces reveal more complex narratives: feathers, gold leaf, mirrored bronze, woven fibers, glass beads, and photographic imagery become vehicles for exploring identity, desire, memory, migration, nature, and transformation.

Works on view locate this sense of transition within states of illumination and suspension. Field Kallop’s geometric abstraction conjures a celestial order through gold and silver leaf, while Jessica Cannon’s expansive celestial composition dissolves the boundaries between landscape, atmosphere, and light. Elsewhere, Jose Alvarez (D.O.P.A.) layers feathers, mica, and drawing into spiritually charged portraits, and Rob Wynne’s mirrored glass transforms language into an object that reflects both its surroundings and the viewer. Together, the works suggest that another world may not exist beyond our own, but within the materials, bodies, and images that already surround us.

Moving between the intimate and the monumental, Between Worlds considers art as a portal between states of being. Rather than presenting the physical and metaphysical as opposites, the exhibition reveals how they continually overlap—inviting us to look beyond the surface and encounter the extraordinary within the material world.

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