1963 Pasadena, California
EDUCATION
1991 MFA Art Center College of Design, Pasadena, California
1990 Skowhegan School of Painting and Sculpture, Skowhegan, Maine
1985 BA Scripps College, Claremont, California
SOLO EXHIBITIONS
2009 2 Person exhibition with Daniel Buren, Xavier Huskens , Brussels, Belgium
1301PE, Los Angeles, California
Casa Iteso Clavigero, Guadalajara, Mexico
2008 Lisa Bright and Dark, Scottsdale Museum of Contemporary Art, Scottsdale, Arizona
2 Person show with TJ Wilcox, Gavlak, West Palm Beach, Florida
Mr. Baci e Abracci, galleria francesca kaufmann, Milan, Italy
Too Much Night, neugerriemschneider, Berlin
2007 2 Person show with Virgil Marti, Hirshhorn Museum and Sculpture Garden, Washington DC
Get Well Soon, greengrassi, London, UK
2006 NW for NZ, Sue Crockford Gallery, Aukland, New Zealand
Midnight, Skestos Gabriele, Chicago, Illinois
In no particular order, Manchester Art Gallery, Manchester, UK
2005 another cherry blossom, greengrassi, London, UK
Cottonmouth, neugerriemschneider, Berlin, Germany
Bazar, Galerie Ghislaine Hussenot, Paris, France
Periwinkles, 1301PE, Los Angeles, CA
In no particular order, Milton Keyes Gallery, Milton Keyes, UK
2004 Hammer Museum, Los Angeles, CA
Amps and Ohms, centre d'art contemporain la Synagogue de Delme, Delme, France
Ohms and Amps, Le Salle de Bains, Lyon, France
2003 Giraffes, Galerie Daniel Buchholz, Cologne, Germany
(untitled), Richard Telles Fine Art. Los Angeles, CA
Fire 'n' Nice, 1301PE, Los Angeles, CA
2002 Chamois, Sespe and Foggy, galleria francesca kaufmann, Milan
Ghost Towns, Govett-Brewster Art Gallery, New Plymouth, New Zealand
A grotto, some nightfish and a second city, Contemporary Art Gallery, Vancouver, Canada
The Actual Tigers, greengrassi, London, UK
2001 1301PE, Los Angeles, California
galleria francesca kaufmann, Milan, Italy
Birds and Ships, neugerriemschneider, Berlin
2000 China Art Objects Galleries, Los Angeles, CA
1301PE, Los Angeles, CA
1999 China Art Objects Galleries, Los Angeles, CA
"WPEP", Finesilver Gallery, San Antonio, TX
Neapolitan City, 1301PE, Los Angeles, CA
1998 greengrassi, London, UK
1997 "Animal Flood", I-20 Gallery, New York, NY
1995 "Summer Work", Shoshana Wayne Gallery, Santa Monica, CA
1993 Shoshana Wayne Gallery, Santa Monica, CA
1991 Graduate Exhibition, Art Center College of Design, Pasadena, CA
1990 "10, 11" W.C. Gallery, Art Center College of Design, Pasadena, CA
1989 Bliss Gallery, Pasadena, CA
GROUP EXHIBITIONS
2009 Venice Biennale, Venice, Italy
2008 Cohabitation, 13 artists and collage, galleria francesca kaufmann, Milan, Italy
Shhoener Wohner, neugerreimschneider, Berlin
Shoes, Gavlak, West Palm Beach, Florida
Martian Museum of Terrestrial Art, Barbican Art Gallery, London, United Kingdom
Implicasphere: Smoke, Pumphouse Gallery, London, United Kingdom
Introduction, About Change Collection, Berlin, Germany
100 Years, 100 Artists, 100 Works of Art, Rochelle School, Shoreditch, London, UK
Index: Conceptualism in California from the Permanent Collection, Geffen Contemporary, Los Angeles
Los Vinilos, London, Zoo Fair, Burlington Gardens, Curated by Henry Coleman
Tales of Time and Space, Folkestone Triennial, Folkestone, UK, Curated by Andrea Schlieker
Aesthetics of Similarities, Another History of Future; Curated by Oliver Zybok as part of the Prague Triennale - Re-reading the Future, Veletrzni Palace, National Gallery, Prague. 3 June -14 Sept (exhib. cat.)
Variation 1, Wiener Konzerthausses, Vienna, Austria
Smoke, Pump House Gallery, London, Curated by Implicasphere
Construction, 1301PE, Los Angeles, CA
Group Show, China Art Objects Galleries, Los Angeles, CA
Under the Influence, Art and Culture center of Hollywood, Hollywood, Florida. Curated by Francie Bishop Good, Jane Hart and Michelle Weinberg
COLOR, Rena Sternberg Gallery, Glencoe, IL Curated by Stephanie Skestos Gabriele
run run, Collins Gallery at University of Scotland, Glasgow International, Glasgow, Scotland, Curated by Alex Frost and Sorcha Dallas
Legende, Domaine Departemental de Chamarande, Chamarande, France, Curated by Alexis Vaillant 2007 Half Square, Half Crazy, Villa Arson, Nice, France, Curated by Vincent Pecoil
Skulpture Projekte Munster 07, Muenster, Germany
If Everybody Had an Ocean, Tate St. Ives, Cornwall, United Kingdom, traveling to CAPC, Bordeaux. Curated by Alex Farquarson
New Materials as New Media, Contemporary Arts Center, Cincinnati, Ohio. Curated by Kippy Stroud
Los Vinilos, El Basilico, Buenos Aires, Argentina. Curated by Henry Coleman
The Shadow Cabinet – part II; Route A1, de Appel, Amsterdam, Netherlands, curated by Petra Heck
Six, Williamson Gallery, Art Center College of Design, Pasadena, California
Alone in the Jungle, Mandarin, Los Angeles, Curated by George Porcari
L.A. Desire, Galerie Dennis Kimmerich, Dusseldorf, Germany, Curated by Wilhelm Schürmann
Darling, Take Fountain, Kalfayan Galleries, Atehns, Greece, Curated by Konstantin Kakanias
Uneasy Angel, Spreuth Magers, Munich, Germany. Curated by Johannes Fricke Waldthausen
No Room for the Groom, An exhibition with Douglas Sirk, Herald Steet, London, UK, Curated by Gregorio Magnani
An Archeology, Zabludowicz Collection, London, UK
Sound Art Limo, The Armory, New York, NY, Curated by Holly Crawford
Sculptors' Drawings: Ideas, Studies, Sketches, Proposals, and More, Angles Gallery, Los Angeles
Michel und seine Freunde, Studio of Michel Majerus, Berlin, Germany. Curated by Jean and Edith Majerus
Running around the Pool, Contemporary Drawings, Museum of Fine Arts, Florida State University. Curated by Terry Lindbloom
2006 Kit-O-Parts, CAN, Centre d'Art Neuchâtel, Neuchâtel, Switzerland
Collage Effect, 1301PE, Los Angeles, CA
We Can do this Now, The Power Plant, Toronto, Canada
New Acquisitions, Tate, London, United Kingdom
Glass, Material Matters, Los Angeles County Museum of Art, Los Angeles, California. Curated by Howard Fox, (catalogue)
HyperDesign, Shanghai Biennale, Shanghai, China. Curated by Jonathan Watkins, Gianfranco Maraniello, Xiao Xiaolan, Lin Shu Min and Huang Du
Angela Bulloch, Judy Ledgerwood, Diana Thater and Pae White, 1301PE, Los Angeles, CA
Domestique, Gallery Standard, Oslo, Norway Curated by Eivind Furnesvik and Salome Sommer
Raid Triumverate 4, Pae White, Machine Histories and Amy Robinson, Raid Projects, Los Angeles, Curated by Pae White
Il diavolo del focolare, Palazzo della Triennale, Milan, Italy. Curated by Claudia Gian Ferrari
Idylle - Traum und Trugschluss, Sammlung Falckenberg, Hamburg and Kulturstiftung Phoenix Art. Curated by Oliver Zybock and Martje Schulz
Shape without form, galleria francesca kaufmann, Milan, Italy
Light X 8, The Jewish Museum, New York, NY. Curated by Ali Gass.
China Art Objects Galleries Group Show (September)
Accommodate, St. Paul St, School of Art and Design, AUT University, Aukland, New Zealand, Curated by M.J. Karr (catalogue)
Among the Ash Heaps of Millionaires, Ancient & Modern, London, United Kingdom
Jumex Collection, Mexico City, Mexico, curated by Alma Ruiz
four decades of the Govett-Brewster Art Gallery collection, Govett-Brewster Art Gallery, New Plymouth, New Zealand
2005 Extreme Abstraction, Albright-Knox Gallery, Buffalo, New York, Curated by Louis Grachos and Claire Schneider.
The Lateral Slip, Sweeney Art Gallery, UC Riverside, Riverside, CA, Curated by Jan Tumlir
Life on the Screens, Les Filles du Calvaire, Brussels, Belgium, Curated by Vincent Pecoil
Lichtkunst aus Kunstlicht, ZKM, Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany
Tracking and Tracing – Contemporary Acquisitions 2000 – 2005, San Diego Museum of Art, San Diego, California
2004 The Secret History of Clay, Tate, Liverpool, Curated by Simon Groom.
Strike, ICA, Philadelphia, PA, USA Curated by Gavin Wade.
Strange Weather, Modern Art, London, UK
The Raw and the Cooked, Claremont Graduate University, Claremont, CA Curated by David Pagel.
The Hollows of Glamour, Herbert Read Gallery, Cantebury , UK. Curated by Martin Clark.
Game, Ferragamo, Milan, Italy
Past Present Future: Contemporary Art 1950-present, 2003/2004. The Art Instutue of Chicago, Chicago, Illinois
Sign Language, The Museum of Contemporary Art, Los Angeles, USA
2003 Watershed, Minetta Brook, New York, curated by Diane Shamash.
Breathing Water, Hauser & Wirth & Presenhuber, Zurich, Switzerland. Curated by Ugo Rondinone.
Utopia Station, Venice Bienale, Venice, Italy, Curated by Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija.
Black Rainbow, Lucky Tackle, San Francisco, CA Curated by Anne Collier.
160 Master Drawings, Oldenburg Kunstverein, Oldenburg, Germany, Curated by Michael Neff.
Works for Giovanni, China Art Objects Galleries, Los Angeles
2002 Cola Grants, Barnsdall Art Park, Los Angeles, CA
LEI ….Women in Italian Collections, Fondazione Sandretto Re Rebaudengo, Torino, Italy, Curated by Francesco Bonami.
Hover, The Henry Art Gallery, Seattle, WA. Curated by Pamela Meredith.
Artist's Gifts, Musuem of Contemporary Art, Los Angeles, USA
Game, Ferragamo, New York, NY
From the Flat Files New Zealand, Curated by Brian Butler and Amada Cruz.
3-D, Friedrich Petzel Gallery. New York, NY, Curated by Mark Fletcher.
2002 hell, neugerriemschneider, Berlin, Germany
Richard Hawkins, Stan Kaplan and Pae White, Richard Telles Gallery, Los Angeles, CA
Group Show, Metro Pictures, New York, NY
Strike, Wolverhampton Art Gallery, Wolverhampton, UK, Curated by Gavin Wade.
Intangible, exposición homenaja a Luis Barragán, Casa ITESO Clavigero, Guadalajara, MX, Curated by Carlos Ashida.
Strolling Through and Ancient Shrine and Garden, Acme, Los Angeles, CA
Bosco, Brain Multiples, JRP éditions, Small Noise, Air de Paris, Paris, France
John Miller, Pae White and Fred Wilson, Metro Pictures, New York, NY
Shimmering Surfaces, Arnolfini Museum, Bristol, United Kingdon and Cornerhouse, Manchester, UK Curated by Catsou Roberts.
Center of Attraction, Contemporary Art Centre, Vilnius, Lithuania, Curated by Tobias Berger
August 1 - 31, 2002, LA Louver Gallery, Venice, CA
New Work, New Spaces, The Armory Center for the Arts, Pasadena, CA, Curated by Jay Belloli.
featherweight, Susan Hobbs Gallery, Toronto, Canada.
The Americans. New Art., Barbican Gallery, London, Curated by Mark Sladen.
Extra Art: A Survey of Artist's Ephemera 1960-1999, The California College of Arts and Crafts, San Francisco, CA. Curated by Steven Leiber
The Cult, China Art Objects Galleries, Los Angeles
Deaedalic Convention, Museum für Angewandte Kunst, Vienna, Austria, Curated by Liam Gillick.
and Annette Kosak
Zero Gravity, Kunstverein, Düsseldorf, Germany
Rogue Wave, LA Louver, Los Angeles
Over…, Unlimited Contemporary Art, Athens, Greece
2000 LA, Monika Sprüth and Philomene Magers, Cologne, Germany
Cheeseburger, Jürgen Becker Galerie, Hamburg, Germany
Circles ?3, Zentrum für Kunst and Medientechnologie, Karlsruhe, Germany
Made in California, 1900 - 2001. Los Angeles County Museum of Art
Redrawing the Line, Art in General, New York, Curated by Monica Amor.
Sex in the Country, Forde, Espace d'art contemporain L'Usine, Curated by Mai Tu Perret.
Works on Paper, Studio Guenzani, Milan, Italy
What if, Moderna Museet, Stockholm, Sweden, Curated by Maria Lind
Against Design, Institute of Contemporary Art, Philadelphia, PA. Curated by Stephen Beyer.
1999 OldNewTown, Casey Kaplan, New York, NY. Curated by Liam Gillick.
Papermake, Modern Art, Inc., London, UK
After the Goldrush, Threadwaxing Space, NY. Curated by Lia Gangitano and Joseph Wolin.
1998 Abstract Painting, Once Removed, Contemporary Arts Museum, Houston TX. Curated by Dana Friis-Hansen. (catalogue)
Color Fields, Luckman Fine Arts Gallery, Cal State LA, Los Angeles, CA. Curated by David Pagel.
Biomorphic Abstraction, Curt Marcus Gallery, NY, NY.
L.A. Current Looking at the Light, 3 Generations of LA Artists, UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA
WAHLVERWANDTSCHAFTEN, Art & Appenzel, Appenzell, Switzerland
Hirsch Farm Project Now: Speculative Environment, Theme Song and Wisconsin Open House, MCA, Chicago
PhotoImage: Printmaking 60's to 90's, Museum of Fine Arts, Boston, MA
LA or Lilliput? Long Beach Museum of Art, Long Beach, CA, Curated by Michael Darling. (catalogue)
Flaming June, works on paper, inc. Los Angeles, CA. Curated by Sarah Gavlak.
Love at the End of the Tunnel, or the Beginning of a Smart New Day, COCA, Seattle, WA. Curated by Marilu Knode. (catalogue)
Time Dilates at Three-Day Weekend, Tomas Studios, NY, NY. Curated by Dave Muller
The Unreal Person, Huntington Beach Art Center, Huntington Beach, CA. Curated by Irit
Krygier (catalogue)
Three Day Weekend, Krinzinger Gallery, Vienna, Austria. Curated by Dave Muller
In the Polka Dot Kitchen, Otis Art Gallery, Los Angeles and The Armory Center for the Arts, Pasadena, Curated by Sally Elesby (catalogue)
[Re] Mediation: The Digital in Contemporary American Printmaking, East Gallery, Contemporary Art Museum, University of South Florida
1997 Enterprise, ICA, Boston, MA. Curated by Christoph Grunenberg (catalogue)
Elusive Paradise, Museum of Contemporary Art, Los Angeles. Curated by Connie Butler and Stacia Payne.
Best of the Season, Aldrich Museum, Ridgefield, CT. Curated by Harry Philbrick.
New Acquisitions and Work from the Permanent Collection, Los Angeles County Museum of Art, Los Angeles, CA
No Small Feet, Rhona Hoffman Gallery, Chicago
[re] - meditation: The Digital in Contemporary American Printmaking, 22nd International Biennial of Graphic Arts, Ljubljana (catalogue)
Her Eyes are a Blue Million Miles, Three Day Weekend in Mälmo, Sweden. Curated by Dave Muller.
Ten Los Angeles Artists, Stephen Wirtz Gallery, San Francisco, CA
New Grounds, University of South Florida Contemporary Art Museum, Tampa, FL
1996 Landscape Reclaimed, The Aldrich Museum, Ridgefield, CT. Curated by Harry Philbrick. (catalogue)
Just Past: The Contemporary in MOCA's Permanent Collection, Museum of Contemporary Art, Los Angeles, CA
True Bliss, LACE, Los Angeles, CA (catalogue)
Muse-X Editions recent publications, Santa Monica Museum, Santa Monica, CA
Sally Elesby/Pae White, Four Walls, San Francisco, CA. Curated by Lisa Overduin.
Mod Squad, Spanish Box, Santa Barbara, CA. Curated by Michael Darling.
Ginny Bishton Richard Hawkins Pae White, Richard Telles Gallery, LA, CA
Open House, Williamson Gallery, Art Center College, Pasadena, CA (catalogue)
1995 HAWAII, with Jorge Pardo, Friedrich Petzel Gallery, NY, NY.
Saturday Night Fever, Tom Solomon's Garage Los Angeles, CA. Curated by Michael Cohen and Catherine Liu.
filmcuts, neugerriemschneider, Berlin, Germany
neotoma, Otis Gallery, Otis College of Art and Design, Los Angeles, CA Curated by Renée Petropoulos and
Ann Ayers.
Youth Culture ate My Dog (but I don't really mind), TBA, Chicago, IL Curated by Kathryn Hixson, Joe Scanlan and Irene Tsatsos. (catalogue)
Smells Like Vinyl, Roger Merians Gallery, New York, Curated by Sarah Seager and Thad Strode. Message is the Medium, Castle Gallery, College of New Rochelle, New York
1994 Pure Beauty, The American Center, Paris, France and MOCA, Los Angeles. Curated by Ann Goldstein.
Notational Photography, Petzel/Borgmann and Metro Pictures, New York, Curated by Friedrich Petzel.
The Art of Seduction, The Center Gallery at Miami Dade Community College, Miami, Florida. Curated by Bonnie Clearwater. (catalogue)
Watt, Witte de With, Rotterdam and the Kunsthal, Rotterdam. Curated by Goose Oosterhof and Chris Dercon.
Identity: The Logic of Appearance, Krinzinger Gallery, Vienna, Austria, Curated by Shoshana Blank.
Bad Girls, The New Museum, New York. Curated by Marcia Tucker.
Plane Structures, Otis Art Gallery, Los Angeles, Renaissance Society, Pittsburgh Center for the Arts, and White Columns,Wesleyan University Center, Nevada Institute of Contemporary Art, The University of North Texas Art Gallery. Curated by David Pagel. (catalogue)
The Green Show, Bradley Building, Los Angeles. Curated by Wendy Adest.
Transtextualism, Mark Moore Gallery, Santa Monica, CA. Curated by Sabina Ott.
1993 Cherry Bomb, Southern Exposure, San Francisco, California. Curated by Mike Blockstein and Meg Mack.
TIMES, Anderson O'Day Gallery, London, England, curated by Andrew Cross.
Home Alone, Bliss Gallery, Pasadena, California. Curated by Michael Cohen.
The Imp of the Perverse, Sally Hawkins, New York, NY. Curated by Alisa Tager.
Sugar n' Spice, Long Beach Museum of Art, Long Beach, California. Curated by Carolanne Klonirides and Noriko Gamblin. (catalogue)
Into the Lapse, Karsten Schubert, London, Friesenwall 120, Cologne, Germany, Dogenhouse, Leipzig, Bruno Brunnet Fine Arts, Berlin, The Royal Danish Academy of Art, Copenhagen (catalog), Société des Expositions, Palais des Beaux- Arts, Brussels, Curated by Brian D.Butler and Jean Rasenberger.
1992 Summer Show, Shoshana Wayne Gallery, Santa Monica, CA
Group Show, Elizabeth Koury, New York, NY
Recent Purchases From the Roseview Collection, Roseview Museum, Los Angeles.Curated by Sally Elesby
Detour, International House, New York, NY, curated by Barbara Duncan and Sandra Antelo-Saurez. (catalogue)
1991 The Lick of the Eye, Shoshana Wayne, Santa Monica, California, curated by David Pagel
Sam Durant, Ed Suman, Andrew Winer and Pae White, Parker Zanic, Los Angeles, CA
Window on L.A., L.A. Art Fair. Curated by David Pagel. (catalogue)
1990 Mixed Media, Mixed Messages, Lang Art Gallery, Scripps College, Claremont, CA. Curated by Paul Darrow.
The White Show, W.C. Gallery, Art Center College of Design, Pasadena, CA. Curated by Tom Dolan and Mark Stritzel.
Art Center and UCLA at Cal Arts, California Institute of the Arts, Valencia, CA
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Laurence, Robin. Of Costumes, Clouds, and Culture, The Georgia Straight, April 25 - May 2, 2002, p.62
Morgan, Lynn. L.A. Louver's Rogue Wave, California Homes, Winter 2001/2002, pp. 110 - 114
Coomer, Martin. Pae White, London Time Out, Jan. 30 - Feb. 6, 2002, p. 46
Pae White: Ghost Towns, (ex. cat.), Greg Burke (ed.), text by Alessio delli Castelli, Govett Brewster Art Gallery, New Plymouth, New Zealand
Art Now, Uta Grosenick (ed) Taschen Verlag pp. 532 - 535 illus.
Women Artists, Uta Grosenick (ed) Taschen Verlag, pp. 542 - 547 illus.
Psibilskis, Liutauras, 8th Baltic Trienniel, Flash Art, October 2002, p. 99 illus.
Higgie, Jennifer. Luxe, calme et volupté, Frieze, Issue 66, April 2002, p. 64 - 69
Andersson, Patrik, Pae White, Tema Celeste, September/October, p. 95
Haynes, Rob. All that Glitters on Show, Metro, July 2002
Hunt, Ian. Shimmering Substance, Art Monthly, June, 2002, p. 39 - 42
Clark, Robert. Time to untangle theoretical threads, ArtReview, June, 2002
Gledhill, David, substance and style, City Life, July 31 - Aug. 8, 2002
Smith, Juliet, Visiting artist considers changing urban landscape, The Daily News, Monday, August 5, 2002, p. 4
Extra Art: A Survey of Artist's Ephemera, 1960-1999 exhibition catalogue, published by Smart Art Press, exhibition at the California College of Arts and Crafts, San Francisco, CA, Curated by Stephen Leiber, p. 186, illus..
Pagel, David. "New Works" Show Reopens the Pasadena Armory, Los Angeles Times, Friday, April 19, 2002 p. F24 illus.
Coles, Alex. Art Décor, Art Monthly, Issue 253, Feb. 2002, pp. 7 - 10
Sherman, Sam, Strolling Through an Ancient Shrine and Garden, Contemporary, July/August 2002, p. 153
Ebner, Jörn. Aur Liebeskummer der Rollschuh-Unfall, Frankfurter Allgemeine Zeitung, Feb. 9, 2002, S. 58
Myers, Terry R., The American: New Art, artext, Spring 2002, p. 81 - 82
Just Call it Art on the Hudson, The New York Times, December 13, 2002, E39
Wakefield, Neville, l.a. story, Travel and Leisure, Feb. 2002, p. 128
Farquason, Alex. The American: New Art, Artforum, March 2002, p. 136, illus.
McLaughlin, Amy, Artwork takes shape at Library, Chicago Daily Herald, March 5, 2002, p. 4
2001 Knight, Christopher. The Everyday on a Pedestal, The Los Angeles Times, Wednesday, January 31, 2001 p.F1 and F8
Berg, Ronald, "Form follows form", Der Tagesspiegel, February 10, 2001
Corrigan, Susan, "New York Sucks", ID, September 24, 2001, pp. 183 - 191
Herbert, Martin, "State of the Arts", Art Review (London), Autumn, 2001, pp. 50 - 51
The Americans, New Art, published by Booth-Clibbons Editions, pp. 77 - 83, illus.
illus.. Art Issues, September/October 2001, pp. 35 - 39
Cutter, Kimberly, "East Side Story", W, September, 2001, pp. 204 - 208
Sharp, Amanda, "The Americans", Arena Homme +, Autumn, 2001
Unruh, Rainer; Junge Kunst aus Kalifornien; Kunstforum International; April-Mai 2001; Bd. 154, p. 384 - 385
"Pae White", Women Artists, Taschen Publishers
Stange, Raimar; Über Pae White; Artist Kunstmagazin; 2/2001, p. 4 - 7
Végh, Christina; Pae White: Die (unerträgliche) Leichtigkeit des Seins; Catalogue. Zero Gravity; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; 21.4. - 17.6. 2001
Imdahl, Georg; Raus aus der klaustrophobischen Bodenstation; Frankfurter Allgemeine Zeitung; 5. Mai 2001, Nr. 104, p. 44
2000 Sozanski, Edward J., "Along the fuzzy boundary between design and art", The Philadelphia Inquirer, 22002000
Sunday, February 13, 2000, A - 11
Cienfuegos, Ingeborg. "Konst på gränsen", Aftonbladet, May 5, 2000
Gerell, Boel. "Behovet av en förlaga", Kvällsposten, July 23, 2000
Olsson, Thomas. "Moderna Museet tänker om", Ystads Allehanda, May 5, 2000
Vickström, Lars. "Utställning med alltför få tankar", Arbetet Ny Tid, May 21, 2000
Scanlan, Joe., "What's the Use", Eyestorm, http:www.eyestorm.com/feature/ED2n_article.asp?article_id=122
Myers, Terry R., "Pae White", Art & Text, May 2000
1999 McFarland, Dale. "Pae White, geengrassi, London", Frieze, March, 1999
Pagel, David. Los Angeles Times, Friday, December 17, 1999 pg F34
Freeman, David. "Pae White and Victor Estrada at Finesilver", VOA, July 99, pp. 14 - 16
Krygier, Irit. "Report from L.A." http://www.artnet.com/magazine/reviews/krygier/krygier6-3-99.html#11 Intra, Giovanni. "La struttura mobile", Tema Celeste, February, 1999, pp.50 - 55 illus.
Frank, Peter. "Color Fields", L.A. Weekly, January 8 - 14, 1999
Brinsfield, James. "Signing and Signifying Abstract Art Returns" Kansas City Review, June, 1999 p. 18
Thorson, Alice. "Show will please, but not with ease", May 16, 1999, J-1 illus.
Holland, Cotter, "Soho is still very much Soho", The New York Times, Friday, February 12, 1999
1998 Johnson, Patricia. "Abstract artists redraw boundaries of painting", Houston Chronicle, Oct. 7, 1998
Dawson, Angela. "Into the Streets". Adweek, vol. XLVIII No. 8, February 23, 1998
Wilson, William. "Food Preserved With a Twist", Los Angeles Times, Tuesday, Oct. 20, 1998 F5
Johnson, Ken. "Biomorphic Abstraction", New York Times, Friday, December 11, 1998
" Best Bets in and around Orange County", Los Angeles Times, April 23, 1998. Calendar Weekend, p. 4R
Curtis, Cathy. "Dressing the Flesh". The Los Angeles Times, May 12, 1998, F2
Knaff, Devorah. " Cameras in the Realm of the Unreal", The Orange County Register, May 3, 1998. Show sec. p. 34
Mendenhall, Lauri. " Digital Deception", Coast Magazine, June 4, 1998. p. 33
"The Unreal Person: Portraiture in the Digital Age", Art Scene, June 1998, Vol. 17, no. 10, p.16.
Marlos, Daniel. "What's That Bug?", American Homebodies, July 1998
Wilson, William. "Lilliput': Small Art in the Big City of L.A." Los Angeles Times, Tues., Nov. 24,
Schoenkopf, Rebecca. "I Loathe LA", Orange County Weekly, December 18 - 24, p. 36
Lunenfeld, Peter, "The Alchemical Portrait", Telepolis
1997 Scanlan, Joe. "Pae White", Frieze, November-December 1997, pp. 89 - 90
Lunenfeld, Peter. "Jennifer Steinkamp, Light in Space" Art/Text 58, p. 62
Hill, Shawn. "The pursuit of absence", Bay Windows, August 28, 1997, p. 30
Temin, Christine. "Christoph Grunenberg is bringing the world to the ICA". The Boston Sunday Globe, July 13, 1997 Zimmer, William. "A Gallery Sampler at the Aldrich", The New York Times, December 14. 1997
Brennan, Michael. "Pae White at I-20" Art-net, http://www.artnet.com
"Oblique Strategies", EYE, Vol. 6, Spring 1997, p. 34 - 35
"Papier in den Reißwolf, Draht ums Blatt", Art, November 1997, p. 22 illus.
"Not Your Average Christmas Cards", I.D., March/April 1997, p. 33
Huffstutter, P.J. "Digital Fine Art", Dailey News, Jan. 20, 1997, p. B-1
Duehr, Gary. "Beam up to the ICA's Enterprise" The TAB, July 29 - Aug. 4, 1997, p. 2B
Silver, Joanne. "Work in process". Boston Herald, July 25, 1997, p. S11 and S 13.
Millis, Christopher. "All too clear". Phoenix Aug. 4, 1997
Termin, Christine. "Enterprise invites viewers to pitch in", Boston Globe, D1 and D8
1996 Smith, Roberta. "Testing Limits at the Corcoran", New York Times, January 6, 1996
Princenthal, Nancy. "The Ghost's Machine" (cat.) illus. 1996
Joyce, Julie. "Fertile Ground, Neutral Territory" (cat.) illus.1996
O'Brien, John. Open House, exhibition catalogue published by Art Center College of Design, Pasadena, CA, pp. 74 and 98 illus.
1995 Clothier, Peter, "Pure Beauty", ARTnews, February 1995, p.132
Pagel, David, "Pae White", Art Issues, Nov/Dec 1995, p.44
Kandel, Susan, Los Angeles Times, Thursday, September 28, p. 10
O'Brien, John "New Alternatives", Art Papers, Vol. 19, Nov/Dec 1995, p. 29
Auerbach, Lisa Anne. "Table Games", Los Angeles Reader, March 31, 1995. Vol. 17. No. 25, p.13
1994 Clearwater, Bonnie. "The Art of Seduction" (cat.) 1994
illus.. DOMUS,"Projetti Projects, Frank O. Gehry", N. 764, p. 38
Pagel, David., "Urban Divisions, the Green Show", Los Angeles Times, August 4, 1994, p.F5
Pagel, David. "Looking Into Seeing", Plane Structures (catalogue essay)
Scanlan, Joe. "Motivation and Time in the Work of Certain Los Angeles Artists", PlaneStructures, (catalogue essay)
Wilson, William. "'Pure Beauty': Irony Becomes Stale Second Time Around", Los Angeles Times, Sept. 28, 1994
Breerette, Geneviéve, "Tout nouveau, tout beau", Le Monde, June 8, 1994
"Sketches", Outlook, Friday, September 9, 1994.
Sullivan, Meg. " Expect the Unexpected from Latest Art Exhibit", Daily Bulletin, Friday, September 23, 1994. p. F2
"The Best of the Weekend", Los Angeles Times, Friday, September 23, 1994.
Donohue, Marlena. "New Definition of Pure Beauty", Daily Breeze, Tuesday, September 27, 1994. Life/Art sec. p. A9.
"Pure Beauty: Some Recent Work from Los Angeles", San Diego Weekly, September 28, 1994.
Mongo, Carol. " Art for Art Spaces", The Paris Free Voice, September, 1999. p.7.
Sullivan, Meg. "Beauty in the Artist's Eye", Art Beat, September, 1994.
Irvine, John. "Beauty in the Eyes of the Beholder", Los Angeles Times, Tuesday, October 11, 1994. Arts and Entertainment sec. p. 27, p. 23 illus.
Barden, Lane. "In the Eye of the Beholder", Artweek, Nov. 17, 1994, p.10
Tumlir, Jan. "A conversation with Pae White". Artweek, Nov. 17, 1994, p. 11
Turner, Alisa. "The Art of Seduction", ARTnews, Summer 1994
Muchnic, Suzanne. "Bliss, Food House, and Hello Artichoke", Artnews, May 1994, p. 125 illus.
van den Boogerd, Dominic and David Lillington"It's real, but very fucked up",Metropolis M, March, 1994
Turner, Elisa. "Seducing Viewers With Questions of Art " The Miami Herald, January 30, 1994, p.101
Kraft, Scott. "But Will the French Thank Us?" Los Angeles Times, June 5, 1994. p.6 Koshalek, Richard. "American Center in Paris", art press. June 1994, p.20
Colas, Sandrine. "pure beauty", Galeries, France, June, 1994, p. 4
1993 Kandel, Susan. "Pae White", Art issues, September/October 1993, p. 43
Lillington, David. "TIMES", Metropolis, no.4, 1993, pp. 47 - 49.
Barrie, Lita., "A Forest of Toys", Visions, Winter 1993, pp. 23 - 24
Meyers, Terry R. "Girlfriend in a Coma: Notes on a Proposed Exhibition", Blocnotes, no. 2, Spring 1993, pp.12 - 13
Eisenstadt, Aron. "The Long Beach Museum of Art February 28 to May 23", The Long Beach Union, March 1, 1993. p.3
Saltzgaver, Harry. "Sugar and Spice More than Just Nice", Grunion Gazette, March 4, 1993.
Interview with David Pagel, Bomb, Summer 1993, pp.12 - 14
Anderson, Michael. "Sugar n' Spice", Art Issues, May/June 1993, p. 39
Curtis, Cathy. "Nice n' Subversive", Los Angeles Times, Orange County Edition.Thurs.,3/18/93, p. 4
Gamblin, Noriko. "Sugar n' Spice" exhibition catalogue published by Long Beach Museum, Long Beach, CA
"LBMA Opens Sugar n' Spice by a Dozen Women Artists", Seal Beach
Leisure World Golden Rain News, February 18, 1993
King, Debra. "Women's Perspective in Art", Westart, March 28, 1993, p. 3
Pagel, David. "The Strange House That Pae White Built", The Los Angeles Times, Friday, Feb. 19, 1993. p. 20
Frank, Peter. "Intriguing works by a new generation of women artists..." Long Beach Press Telegram, March 12, 1993, p.14
1992 Relyea, Lane. "Politically Correct/Incorrect", Artspace, July/August, 1992, pp.28 - 30
Tager, Alisa. (essay) Detour (catalogue) 1992
1991 Kandel, Susan. "L.A. in Review", Arts, November, p. 97
Pagel, David. "Window on L.A." catalogue essay
Rugoff, Ralph. "Missing Persons", L.A. Weekly, August 2, 1991, p. 27
Gilbert-Rolfe, Jeremy. "Slaves of L.A. and Others", Artspace, Summer, 1991, p. 72
SPECIAL PROJECTS/PUBLIC COMMISSIONS
2011 McCarren Pool, New York
2010 North Embarcadero Visionary Plan, San Diego, California
2009 W Hotel
MGM, Las Vegas
Gloucester Road Tube Station, London, UK
2008 MetaFoil, Stage Curtain for New Opera House, Oslo, Norway
Bugscreen, Celebreeze Plaza, Cleveland, Ohio. GSA Excellence in Art and Architecture Program
2007 DLD07, Munich Germany Artist Project
Fabric Workshop and Museum, Philadelphia
Honorable Mention in the Skin of Corian competition
Kultur Spiegel, Artist Page, pp. 24 – 25
2005 Unknown Celebration, billboard project, Barts and the London NHS Trust, London, UK
Essences in Sensées, St. Germain des Prés, Paris, France, arranged by Anne-Pierre d'Albis and Parcours
temporary mural commission, The Big Wall, Dunedin Public Art Gallery, Dunedin, New Zealand
coner to column - a crawling painting…. Mural commission, Deka Bank, Frankfurt, Germany
2004 Rover Momentum, artist's project for the Frieze art fair, London, UK
2003 MultipliCity, Metro Rapid Line with Tom Marble, AIA
Chiacchere Ter et Bantine, Milan, Italy
Feast, Selfridge window display, London, UK curated by Pablo La Fuente
Ferragamo shoe project
2002 Ex-Machina Exhibition Design with Jorge Pardo, Museum für Angewandte Kunst, Cologne Germany
artist's spread, Pavement magazine, August/September, 2002, pp. 152-153
Double Vision, collaborative photo project with Mario Testino, V magazine, July/August, 2002
2001 Thoughts on Owls by Men of Letters, Window design for Galerie Daniel Buchholz, Cologne
Capitol East End Complex, Block 174. Sacramento, California with Tom Marble, AIA
Des Plaines Public Library, Des Plaines, Illinois, Patti Gilford, Art Consulting
Palermo Building, Pasadena, CA, Kathy Lucoff, Art Consulting
2000 The New Now Sounds of Today! Songpoems by Twenty-one Contemporary Artists Limited Edition CD produced by Art Issues Press
1999 Incidental Illumination, design of a children's reading room, temporary commission by Los Angeles County Museum of Art, Los Angeles, CA
1997 ArtPix II, Houston, Texas, curated by David Pagel.
Windows on Wilshire, window installation for Los Angeles County Museum of Art, Los Angeles, CA
Advertising campaign for the Museum of Contemporary Art, Los Angeles, CA
PRINT WORK
Advertisements for the Albright Knox's Extreme Abstraction exhibition in the following magazines:
Art in America
Artforum Summer 2005, pg 249
frieze, contemporary art and culture, 11 full page ads for gallery neugerriemschneider:
issue 50, 2000, p. 4
issue 51, 2000, p. 4
issue 52, 2000, p. 4
issue 53, 2000, p. 4
issue 54, 2000, p. 4
issue 55, 2000, p. 4
issue 56, 2001, p. 4
issue 57, 2001, p. 4
issue 58, 2001, p. 4
issue 59, 2001, p. 4
issue 60, 2001, p. 4
issue 61, 2001, p. 4
frieze, contemporary art and culture, issue 52, 2000, S. 20. Anzeige zur Ausstellung
"What if, art on the verge of architecture and design", Moderna Museet Stockholm
Corvi – Mora, London, UK
China Art Objects Galleries, Los Angeles, CA
PUBLICATION DESIGN
Jorge Pardo, Catalogue. Person's Weekend Museum, Tokyo, 1993
Das Ende der Avant Garde, Kunst als Dienstleistung, Catalogue. Kunsthalle der Hypo-Kulturstiftung, München, 1995
Jorge Pardo, Catalogue. Museum of Contemporary Art, Los Angeles, Museum of Contemporary Art, Chicago, 1997
[re] - meditation: The Digital in Contemporary American Printmaking, Catalogue. 22nd International Biennial of Graphic Arts, Ljubljana,1997
Tobias Rehberger, Jorge Pardo, Garnish and Landscape, Catalogue. Gesellschaft für Gegenwartskunst, Augsburg 1997
Enterprise, venture and process in comtemporary art, Catalogue. The Institute of Contemporary Art, Boston 1997
The 18th Annual Benefit Auction of Los Angeles Contemporary Exhibitions, Catalogue. Los Angeles 1998
Global Fun, Kunst und Design von Mondrian, Gehry, Versace und Friends, Catalogue. Städtisches Museum Leverkusen, Schloss Morsbroich, Leverkusen, Schloß Moritzburg, Dresden, Ostfildern 1999 (Gestaltung in Zusammenarbeit mit Jorge Pardo und Winfried Konnertz)
Jorge Pardo, Catalogue, The Fabric Workshop and Museum, Philadelphia 1999
WPEP, Pae White & Victor Estrada, Catalogue.. Finesilver Gallery, San Antonio, Texas 1999
Jorge Pardo, hrsg. Von Jörn Schafaff und Barbara Steiner im Auftrag der Landesbank Baden-Württemberg, Ostfildern 2000
Against Design, Cat. Institute of Contemporary Art, Philadelphia, PA 2000. Curated by Steven Beyers
What if, Catalogue (and other design collateral). Moderna Museet Stockholm, Stockholm 2000
Jorge Pardo, Catalogue.. Kunsthalle Basel, Basel 2000 (in Zusammenarbeit mit Jorge Pardo, Veronica Gonzales, Kunsthalle Basel)
8th and Figueroa, Catalogue. for 2001 USC Graduate students, Los Angeles, CA 2001
Ex-Machina, Catalogue.. Museum für Angewandte Kunst, Cologne, 2002 with Jorge Pardo
The Object Sculpture, The Henry Moore Institute, Leeds, United Kingdom, 2002
Pae White, Ghost Towns, Govett-Brewster Art Gallery, New Plymouth, New Zealand, 2003
Extreme Abstraction, Catalogue (and other design collateral), Albright Knox Art Gallery, Buffalo, NY 2005
BOOK COVER DESIGN
DLD Book for Friends, Published by NIGHTFROG and Hubert Burda Marketing & Communications Gmbh, 2007
Women Artists, Taschen Books, 2004
MAGAZINE COVER DESIGN
Art Review, May 2004
make, the magazine of women's art, issue 88, June-August 2000
Art issues, summer 2000
make, the magazine of women's art, issue 89, September – November 2000
make, the magazine of women's art, issue 90, December 2000 – February 2001
make, the magazine of women's art, issue 91, March 2001 – April 2001
MULTIPLES/EDITIONS
Oblique Strategies, A More Universal Edition, Norton Family Christmas Project, 1996
Ponygirl Edition 1998, 1998, Muse-X Editions, Los Angeles, CA, edition of 6
Untitled Silkscreen Portfolio, Brain Multiples, Los Angeles, CA, 2000 edition of 20
Jahresgaben, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany, 2001
Forumememo, Artist's portfolio supporting the Los Angeles Forum for Architecture, edition of 25, 2004 curated by Tom Marble
Essences in Sensées, St. Germain des Prés, Paris. Arranged by Anne-Pierre d'Albis and Parcours. Perfume bottle and perfume. 2006
TEACHING
Art Center College of Design, Spring/Summer 2006
USC, Spring 2005
Krabbesholm Hojskole, Skive, Denmark, Spring 2004
USC, Fall 2004
Cranbrook Academy of Art, Bloomfield Hills, Michigan, Spring, 2003
Claremont Graduate University, Fall 2002
USC, Spring 2001
Art Center College of Design, Spring/Summer 1998
Art Center College of Design, Spring/Summer 1995
LECTURES/PANELS
Serpentine Gallery, London
Cincinnati Art Museum
ArtPace, San Antonio, Texas, 2003 Is anybody listening?
The Henry Art Gallery, Seattle, WA
College Art Association (1999 Attention Spam® moderated by Paul Zelevansky)
Glassell School, Houston, TX
Krabbeshölm, Skivé, Denmark
Otis Parsons Art School, Los Angeles, CA
Art Center College of Design, Pasadena, CA
Domus Academy, Milan, Italy
Newport Harbor Art Museum, Newport Beach, CA
University of Southern California, Los Angeles, CA
University of California Los Angeles, Los Angeles, CA
The American Center, Paris, France
The Museum of Contemporary Art, Los Angeles, CA
The Renaissance Society, Chicago, IL
California Institute of the Arts, Valencia, CA
Westridge School, Pasadena, CA
The Hirsch Farm Project, Hillsboro, Wisconsin
Cranbrook Art Institute, Bloomsfield Hills, MI
Govett-Brewster Art Gallery, New Plymouth, New Zealand
Massey University, Wellington, New Zealand
Auckland Art Gallery, Auckland, New Zealand
Unitec, Institute of Technology, Aukland, New Zealand
California College of the Arts, San Francisco, CA
Sonoma State University, Sonoma, CA
Claremont Graduate University, Claremont, CA
Otis Art Institute, Los Angeles, CA
Contemporary Art Center, Cincinnati, Ohio
UC Irvine, Irvine, California
Mills College, Oakland, CA
Scripps College, Claremont, CA
University of California Riverside, Riverside, CA
Contemporary Art Center, Cincinnati, Ohio
Hirshhorn Museum and Sculpture Garden
University of Las Vegas, Las Vegas, Nevada
ASAP, Maine
GRANTS
1995 Pasadena Cultural Affairs Individual Artist Grant
2003 COLA Artist's Grant
2003 Durfee ARC Grant
2007 Durfee ARC Grant
