Skip to content


b. 1967 Ann Arbor, MI Lives and works in Los Angeles, CA

Lisa Anne Auerbach is an artist, student and teacher asking questions about agency and voice in a cacophonous world. Her knitted work, publications, and photographs have been exhibited at museums, galleries, bicycle shops and malls in America and beyond. She has had solo exhibitions at Bennington College’s Usdan Gallery, Cambell Hall Art Gallery, Aspen Art Museum, Malmö Konsthall, and University of Michigan Museum of Art. Her work has been included in exhibitions at the Hammer Museum, Los Angeles, Parasophia Kyoto International Festival of Culture, Philagrafika2010, and in the 2014 Whitney Biennial. She was a recipient of a California Community Foundation Fellowship for Visual Artists in 2007, a Louis Comfort Tiffany Award in 2009, a City of Los Angeles Individual Artist Grant in 2013, and MacDowell Fellowships in 2012 and in 2016. In 2022, she was awarded a Wallis Annenberg Helix Fellowship, and in 2023 received a Lucas Artist Fellowship at Montalvo Arts and an Open Studio Residency at Haystack Mountain School of Crafts.

Recent publications include Forever... a catalog for her exhibition at Campbell Hall Gallery (2023), Sweater Parade, a catalog for her show at Usdan Gallery (2023), and PIT a collection of photographs published by the Grass Is Green In the Fields For You, Glasgow, Scotland (2021). Her recently self-published project include Lightworker (2021), This is What Democracy Looks Like (2021), It’s Going to Be Biblical (2022), and Great Awakenings (2020).



1994     MFA Fine Arts, Art Center College of Design, Pasadena, CA
1990    BFA Photography, Rochester Institute of Technology, Rochester, NY


2023    Illicit Libraries, The Art Show, Park Avenue Armory, New York, NY

2022    Forever…, Campbell Hall Art Gallery, Los Angeles, CA

            Unraveling, Gavlak Gallery, Los Angeles, CA

            Sweater Parade, Usdan Gallery, Bennington College, Bennington, VT

            The Future is Unknitten, Usdan Gallery, Bennington College, Bennington, VT

2020    Senior Portraits, the First Decade,Chan Gallery, Pomona College

2019    Libraries, Gavlak, Los Angeles, CA

            Psychic Art Advisor, Frieze LA, Los Angeles, CA

2017    The Tract Project, California Lutheran University, William Rolland Gallery, Thousand Oaks, CA

2014    Spells, Gavlak, Los Angeles, CA

            American Megazine #1, The Ski Club, Milwaukee, WI

            The Age of Aquarius, Gavlak, Palm Beach, FL

2013    Bookshelf, Alias Books East, Los Angeles, CA

             Chicken Strikken, Prick Your Finger, London, England

2012    Chicken Strikken, Malmö Konsthall, Malmö, Sweden (catalogue)

            United We Stand, Hammer Museum AIR: Artist in Residence, Los Angeles, CA

2011    Torn Porn, Gavlak, Palm Beach, FL

2010    The Tract House: A Darwin Addition, Philagrafika “Out of Print” 2010, American Philosophical Society Museum,

            Philadelphia, PA

2009    Take This Knitting Machine and Shove It, Nottingham Contemporary, Nottingham, England

            UMMA Projects: Lisa Anne Auerbach, University of Michigan Art Museum,

            Ann Arbor, MI (catalogue)

2008    Election Sweater Project, Aspen Art Museum, Aspen, CO

            If Nothing Changes It Changes Nothing, Printed Matter, New York, NY

2007    Auerbachtoberfest, David Patton Los Angeles, Los Angeles, CA

             Along the Dixie Highway, Art Positions/Gavlak at Art Basel Miami Beach, Miami, FL

2006    Lisa Anne Auerbach, Gavlak, West Palm Beach, FL                   

            Right On, Weatherman, CPK Kunsthal, Copenhagen, Denmark

1995    Self-Titled Debut, Thomas Solomon’s Garage, Los Angeles, CA

1994    Heaven Tonight, Art Center College of Design, Pasadena, CA

1992    Landscapes, University of Rochester Gallery, Rochester, NY





2022    Glitches, GIFs and Game Engines, South Bend Museum of Art, South Bend, IN

            Kaleidoscope, Workplace, London, UK

            ART NOW, Hearst Tower, New York, NY

            Wrongs & RIGHTS, Brooklyn Academy of Music Rudin Family Gallery, Brooklyn, NY

            Un-Civil War, Torrance Art Museum, Torrance, CA

            Drawing Us Together: Public Life and Public Health in Contemporary Comics, Harvard Radcliffe Institute for
            Advanced Study, Cambridge, MA

            Fashion is a Verb: Art Performance and Identity, William Paterson University Galleries

2021    Disturbances in the Field: Art in the High Desert from Andrea Zittel’s A-Z West to HDTS, Nevada Art Museum, Reno, NV

            Group Show, The Bunker, West Palm Beach, FL

            50th Anniversary Exhibition, White Columns, NY

2020    We Fight to Build a Free World, Jewish Museum, NY

            Nasty Women, Gavlak, Los Angeles, CA

            5-7-5 Project, Ace Hotel marquee, Los Angeles, CA

2019    Transworld, Nicodim Gallery, Bucharest and Los Angeles, CA

            Garb, Art Center College of Design, Pasadena, CA

            FORMS OF ENCLOSURE: New prints 2019/Winter, International Print Center New York

2018    Half the Picture: A Feminist Look at the Collection, Brooklyn Museum, Brooklyn, NY

            Pussy, King of the Pirates, Maccarone, Los Angeles, CA

            How They Ran, Over the Influence, Los Angeles, CA

            Artists and Their Books / Books and Their Artists, The Getty Research Institute, Los Angeles, CA

            Radical Vulnerability, The Wassaic Project, Wassaic, NY
            Making Change: The Art and Craft of Activism, Museum of Design Atlanta, Atlanta, GA
            Forms and Alterations, 808 Gallery, Boston University, Boston, MA

2017    An Ephemeral History of High Desert Test Sites: 2002-2015, High Desert Test Sites,  Fire House at Copper Mountain Mesa

            Community Center, Joshua Tree, CA

            This is Not a Selfie, San Jose Museum of Art, San Jose, CA

            Homeward Bound, Nicodim Gallery, Los Angeles, CA

            Top Five Buddy Cop Films, Steve Turner Gallery, Los Angeles, CA
            Erzahlstoffe, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany

            Chapters: Book Arts in Southern California, California Folk Art Museum, Los Angeles, CA
            Flaming June VII (Flaming Creatures), Gavlak, Los Angeles, CA

            Not I, We, Gavlak, Los Angeles, CA

2016    The I-71 Project, (billboards), Contemporary Arts Center, Cincinnati, OH

            This Wicked Tongue, Charlie James Gallery, Los Angeles, CA

            Wasteland, organized by LAND, Galerie Thaddaeus Ropac and Mona Bismarck American Center, Paris, France

            Cut, Fold, Recreate,Contemporary Arts Center, Cincinnati, OH
            Unraveled: Textiles Reconsidered, Contemporary Arts Center, Cincinnati, OH

2015    Ten Year Anniversary, Gavlak, Los Angeles, CA

            Afghan Carpet Project, Hammer Museum, Los Angeles, CA

            Summer Group Exhibition, Gavlak, Los Angeles, CA

            Parasophia: Kyoto International Festival of Contemporary Culture, Kyoto, Japan

            Homespun, Marlborough School, Los Angeles, CA

            Feminist Bookstore, Minikin Gallery, Portland, OR

            Word, Words, Words, Elisabeth Leach Gallery, Portland, OR

2014    Inaugural Exhibition, Gavlak, Los Angeles, CA

            Naughty by Nature, 2 person show with Liz Craft, Hacienda, Zurich, Switzerland

            Another Cats Show, 356 Mission, Los Angeles, CA

            Square(s), Francois Ghebaly Gallery, Los Angeles, CA

            Abstract America Today, Saatchi Collection, London, England

            Whitney Biennial, Whitney Museum of American Art, New York, NY

            Who Shall Deliver Us From the Greeks and Romans? Galeri Mana, Instanbul, Turkey

            Out of Sight, Out of Mind, Machine Project Space for Projects, Los Angeles, CA

2013    Stickat. Från mössor, tummar och hälar till fred, konst och politik (transl: Knitwear.
            From hats, thumbs and heels to peace, art and politics), Lilla Björka, Berg, Sweden
            C.O.L.A. Individual Artist Fellowship Exhibition, Los Angeles Municipal Art Gallery, Los Angeles, CA

            The Cat Show. White Columns, New York, NY

            Whole, In Part. Artists’ Publications from the MACBA Collections. Museo de Arte Contemporáneo de Castilla y León,
            León, Spain

            My Echo My Shadow. Gavlak Palm Beach, FL

2012    Funny., The FLAG Art Foundation, New York, NY

            Girl Talk: Women and Text, CAM Raleigh, Raleigh, NC

            Erogenous Zones, Silverman Gallery, San Francisco, CA

            Book on the Fritz, Göteborgs Konsthall, Gothenburg, Sweden

            Candor: In Honor of Mike Kelley, Long Beach City College Art Gallery, Long Beach, CA

2011    Word Is..., Luckman Gallery, CalState LA, Los Angeles, CA

            Trespass|Parade, West of Rome, Los Angeles, CA

            Doublespeak, Salt Lake Art Center, Salt Lake City, UT

            The Optimist’s Parking Lot, Beacon Arts, Inglewood, CA

            Getting Upper, Pasadena Museum of California Art, Pasadena, CA

            Geared, Sun Valley Center for the Arts, Sun Valley, ID

            Designated Drivers, The Block Museum, Evanston, IL

2010    Five Year Anniversary Show, Gavlak, Palm Beach, FL

            inSCRIPTion: Text-Image-Action, Cerritos College Art Gallery, Norwalk, CA

            Art and Social Justice, Union Theological Seminary, New York, NY

            Ordinary Miracles, SlaughterhouseSpace, Healdsburg, CA

            Re:Cycle - Bike Culture in Southern California, Sweeney Art Gallery, University of California, Riverside, CA

            New Language, Ogilvy & Mather, The Chocolate Space, New York, NY

            Wrap Your Head Around This, Drake Hotel, Toronto, Canada

            Think Pink, Gavlak, Palm Beach, FL (catalogue)

            Substitute Teacher, Atlanta Contemporary Art Center, Atlanta, GA

2009    Nine Lives, Hammer Museum, Los Angeles, CA

            Prescriptions, Acme Gallery, Los Angeles, CA

            The Tract House, Threewalls, Chicago, IL

            Craftwerk 2.0, Jönköpings County Museum, Jönköping, Sweden

2008    The Station, Art Basel, Miami, FL  

            Hello Liberty, The Dalton Gallery, Agnes Scott College, Decatur, GA

            Cottage Industry, Baltimore Contemporary Museum, Baltimore, MD

            The Way That We Rhyme, Yerba Buena Center for the Arts, San Francisco, CA

            Fare una Scenata / Making a Scene, Fondazione Morra Greco, Naples, Italy

            2018: Fate, Fortune, Coming Times, Less Than Three Gallery, Long Island City, NY

            Gestures of Resistance: Craft, Performance, and the Politics of Slowness, Gray Matters, Dallas, TX

            Vested Interest, Kohler Arts Center, Sheboygan, WI

            Make You Notice, San Francisco Art Commission Gallery, San Francisco, CA

            Here, There, and Everywhere, Bike Oven, Los Angeles, CA

2007    Read Me, Armory Center for the Arts, Pasadena, CA

            Words Fail Me, Museum of Contemporary Art, Detroit, MI

            High Desert Test Sites 07, Joshua Tree, CA

            Common Threads, Confederation Centre for the Arts, Prince Edward Island, Canada

            Pass It On: Connecting Contemporary Do-It-Yourself Culture, A & D Gallery, Columbia College, Chicago, IL

2006    Open Walls 2, White Columns, New York, NY

            Street Signs and Solar Ovens: Socialcraft in Los Angeles, Craft and Folk Art Museum,Los Angeles, CA

            Fair Exchange, LA County Fair, Pomona, CA

            Locale, curated by Kris Kuramitsu, Margo Leavin Gallery, Los Angeles, CA

            Miss America, (with Aleksandra Mir), Rental Gallery, Los Angeles, CA

            Flaming June, Spanierman Modern, New York, NY

            Interstate, Socrates Sculpture Park, Long Island City, Queens, NY

            High Desert Test Sites 05, Joshua Tree, CA

            The Workmanship of Risk, St. Lawrence University Art Gallery, Canton, NY

2005    Opening Group Show, Gavlak Gallery, West Palm Beach, FL

            IHC Hiking Club, as part of Frieze Projects with Andrea Zittel, London, England

            Political Textile Show/Knitknit Release, Three Walls, Chicago, IL

            Post-Postcard, Outpost for Contemporary Art, Los Angeles, CA.

2004    Publish and Be Damned, Cubitt, London, England

            High Desert Test Sites 03, Joshua Tree, CA

            Groundhog Day, Pestorius Sweeney House, Brisbane, Australia

            KnitKnit, Three Walls, Chicago, IL Knitknit at Sundown Salon, Los Angeles, CA

2003    High Desert Test Sites 02, Joshua Tree, CA

            Sandwich Board, (with Daniel Marlos), curated by Jacob Fabricius, Los Angeles, CA

2002    High Desert Test Sites 01, Joshua Tree, CA

1998    Kamikaze, Marstall, Berlin, Germany

1997    Ten Los Angeles Artists, Stephen Wirtz Gallery, San Francisco, CA

            Her Eyes are A Blue Million Miles (Version), Three Day Weekend, London, England

            The Eagle Rock Show, Eagle Rock Community Cultural Center, Eagle Rock, CA

1996    Wunderbar, Hamburg Kunstverien, Hamburg, Germany

            246, Künstlerhaus Bethanien, Berlin, Germany

            Skin Deep, Thomas Soloman’s Garage, Los Angeles, CA

            246, Mark Foxx Gallery, Los Angeles, CA

            Los Angeles Visits P-House in Tokyo, Three Day Weekend, Tokyo, Japan

            Chance, Art Center, Pasadena, CA

1995    P.L.A.N.: Photography Los Angeles Now, Los Angeles County Museum of Art, Los Angeles, CA

            Smells Like Vinyl, Roger Meriens, New York, NY

1994    Thanks, Three Day Weekend, Los Angeles, CA

            Dave’s Not Here, Three Day Weekend, Los Angeles, CA

            Group Show, Food House, Santa Monica, CA

            Utter Realities, Cerritos College Art Gallery, curated by Randy Sommer, Cerritos, CA

            Red Rover, Red Rover, Three Day Weekend, Los Angeles, CA

            Gorgeous Politics: 8th Annuale, LACE, curated by Dave Hickey, Los Angeles, CA Traveled to Temporary
            Contemporary Gallery, Las Vegas, NV

            Grammerians, Guggenheim Gallery of Chapman University, Orange, CA





2023    Lucas Artist Fellow, Montalvo Arts Center, Saratoga, CA

2023    Haystack School of Crafts Open Studio Residency, Deer Isle, ME

2022    Wallis Annenberg Helix Fellowship, Yiddishkayt

2019    Psychic Art Advisor, Frieze Projects, Frieze Los Angeles, Los Angeles, CA

2017     Island Press, Arthur L. and Sheila Prensky Visiting Artist, Washington University, St. Louis, MO

2017     Beverly Center, Beverly Hills, CA: Contemporary art installations curated by Jenelle Porter

2016     MacDowell Colony Fellowship, Peterborough, NH

2014    Whitney Biennial, Curated by Stuart Comer, Whitney Museum, New York, NY

2014    Ferrall Artist-in-Residence, Beloit College, Beloit, WI

2013     City of Los Angeles Department of Cultural Affairs, individual Artist COLA Grant

2012     MacDowell Colony Fellowship, Peterborough, NH

2012     Malmö Festival, outdoor sculpture commission, Malmö, Sweden

2009    Louis Comfort Tiffany Foundation Award

2008    Durfee Artists’ Resource For Completion Grant

2007    Yurt for V-Day, Commission, New York City

2007    California Community Foundation Fellowship for Visual Artists

2005    Headlands Center for the Arts, Project Space Residency, Sausalito, CA




Art in Embassies Program, U.S. State Department, American Embassy, Kabul, Afghanistan

The National Museum of Modern Art, Kyoto, Japan

Saatchi Collection, London, U.K.

Philadelphia Museum of Art, Philadelphia, PA

Everson Museum, Syracuse, NY

The Getty Research Institute, Los Angeles, CA

Hammer Museum, Los Angeles, CA

LACMA, Los Angeles, CA

Printed Matter, New York, NY

University of Michigan Museum of Art, Ann Arbor, MI




Huff, Andrew. "The Best of the 2023 Edition of the Art Show." Whitewall, November 2, 2023.

Cascone, Sarah. "It Felt Like an Overwhelming Collapse": Artist Lisa Anne Auerbach on Why the Overturning of ‘Roe v. Wade’ Made Her Unraveling ‘Rights’ Work Go Viral.” Artnet, July 12, 2022

Okamura, Sara Farrell. "Resistance Language: Lisa Anne Auerbach’s Twenty-Five Years of Wearing Her Thoughts on Her Sleeves.” Boston Art Review, Issue 8, April 2022.

Kim, Nic Cha. “Artist Knits Sweaters with Political Messages.” Spectrum News 1, November 6, 2020 (video).

Slone, Isabel. “Lisa Anne Auerbach’s Political Needles.” Garage Magazine, November 13, 2020

Ferré, Giusi. "Il lato politico del lavoro a maglia” (The Political Side of Knitting). IO Donna. February 6, 2020. Pp. 36-38.

Interview with Bettina Korek, LALA Magazine, Winter 2019.

Pagel, David. “What do these books on a shelf say about their owner? And what does your answer say about you?” (Art Review). Los Angeles Times. February 23, 2109.

Angeleti, Gabriella. “What to buy at Frieze Los Angeles? Lisa Anne Auerbach offers psychic art advice.” The Art Newspaper, February 16, 2019. PDF

Cascone, Sarah. “What Art Should You Buy at Frieze LA? A Psychic Art Advisor Is on Hand to Help Solve All Your Creative Conundrums.” Artnet, February 15, 2019.

Zara, Janelle. “It’s All in the Cards: Lisa Anne Auerbach Offers Psychic Advisory at Frieze Los Angeles.” ArtNews, Feburary 15, 2019.

Finkel, Jori, “Frieze Los Angeles: Lights, Camera, Art!” New York Times, February 13, 2019.

Dunne, Carey. “House of Worship or Shopping Mall? The Drab Architecture of Megachurches.” Hyperallergic. May 19, 2016.

Moroz, Sarah. “Megachurches: photographing America’s drab new cathedrals.” The Guardian, May 1, 2016. Web.

Williams, Maxwell. “Sweater Weather: Lisa Anne Auerbach’s political textiles.” KCET, January 29, 2016. Web.

Thompson, Michael. "The 2014 Whitney Biennial: the Book as a Medium in Contemporary American Art." The Papers of the Bibliographical Society of America, Volume 109:2, June 2015. Pp. 147-192. 

Rus, Mayer. “Common Cause.” Architectural Digest, June 2015. P. 62.

Beato, Greg, “So, Print is Dying? Don’t Tell the Megazine.” The New York Times, March 17, 2015. P. F32.

“BDSM, Craft, & Politics: An interview with Lisa Anne Auerbach.” Ooga Booga Store, March 2015. Web.

Tumlir, Jan. "Review: Lisa Anne Auerbach." Artforum, January 2015.

Berardini, Andrew. “Lisa Anne Auerbach: Spells.” Art Review, December 2014.

Abrahams, Megan. “Lisa Anne Auerbach at Gavlak Gallery,” White Hot Magazine, November, 2014.

Wagley, Catherine. ”Event, Lisa Anne Auerbach: Spells.” LA Weekly, October 2014. Web.

Williams, Maxwell. “Lisa Anne Auerbach’s Solitary “Spells” at Gavlak Gallery.” Whitewall, September 25, 2014. Web.

Mizota, Sharon. “Review: Lisa Anne Auerbach’s barbed and cozy knits at Gavlak Gallery.” Los Angeles Times, September 25, 2014. Web.

Melrod, George. “Artist Profile: Lisa Anne Auerbach.” art ltd. Magazine, September, 2014. Print.

Lucas, Maxwell. “Lisa Anne Auerbach’s Solitary Spells at Gavlak Gallery.” Exhibition review. Whitewall, September 25, 2014.

Mizota, Sharon. “Lisa Anne Auerbach’s Barbed and Cozy Knits at Gavlak Gallery.” Exhibition review, Los Angeles Times, September 25, 2014

Miranda, Carolina. “Message in a sweater: Lisa Anne Auerbach on cats, knitting and zines.” Los Angeles Times, September 9, 2014.

Frank, Priscilla. “The Space Where Zines and Knit Sweaters Overlap.” Huffington Post, September 2, 2014.

Luke, Ben. “Abstract America Today, Saatchi Gallery exhibition review. London Evening Standard, May 28, 2014.

Defore, John. “Whitney 2014 Biennial: Five Hot Artists to Watch.” March 7, 2014.

Hoffman, Barbara. “Latest Whitney Biennial Will Blow Your Mind.” New York Post, March 7, 2014.

Chrisman-Campbell, Kimberly. “Lisa Anne Auerbach: Making them Sweat.” Ornament, Volume 36, Number 5, 2013. Pp. 48-53. (Cover Story)

Skoglund, Sara. “Lisa Anne Auerbach.” Artlover #14, 2013. Pp. 23-24.

Engström, Frida Arnqvist. “Bäraren är Budskapet” (transl. The Carrier is the Message). Konstperspectiv, January 2013.  Pp 36-39.                 

Von Borries, Friedrich. “Mach Es Nicht Selbst” (Make it Uneven). Monopol. February, 2013. P. 21.

Diedrichs, Maria. “Med Maskorna Som Vapen” (With Stitches as Weapons). Hemslöjd, Number 1, 2013. pp. 33-37.    

Berardini, Andrew. “Chicken Strikken (book review).” The Art Book Review, January 28, 2013.            

Berardini, Andrew. “Take This Personally: Lisa Anne Auerbach. “ Art Slant, November 28, 2012.     

Frank, Priscilla. “Lisa Anne Auerbach's Politically Charged Knitted Sweaters Rock Our World.” Huffington Post, November 6, 2012

Galperina, Marina. “Lisa Anne Auerbach’s Awesome, Arty Feminist Sweaters.” Flavorwire, October 17, 2012.

Richter, David. “Likheter mellan fotografin och stickningen. (Similarities between photography and knitting), (radio interview-Sveriges Radio is like Swedish NPR)                                                                                                                                 

Dambrot, Shana Nys. “Lisa Anne Auerbach: The Social Knitwork.” L.A. Canvas, Volume 1, Number 6. September/October 2011. p. 18-19.

Finkel, Jori, “The art of a cold one: Tom Marioni brings beer drinking to the gallery.” Los Angeles Times (September 4, 2010): Section D, Page 1.

Hodge, Brooke, “Seeing Things | Studio Visit: Lisa Anne Auerbach.” New York Times Design Blog (June 23, 2011).

Jortveit, Anne Karin. “Handmade Actions.” Norwegian Crafts (March 11, 2011).

Green, Penelope. “Is it Art or Their Shoes?” The New York Times (December 10, 2009), Section D, Page 1.    

Patterson, Mark. “Some Purls in a Show of Knit Wit.” Nottingham Evening Post (October 9, 2009)

Matthews, Riah. “Artist Inspired By Robin Hood For Exhibition.” Nottingham Evening Post, (October 3, 2009).

Maloney, Patricia. “500 Words.” (September 30, 2009).

Stryker, Mark. “Artists and Their Art: Lisa Anne Auerbach.” Detroit Free Press (July 5, 2009).

Byron, Jacquie. “Knit... With Grit: Politics and the Knitting Needle.” Get Creative, Australia (May 2009). Pp 12- 17.      

Vogel, Carol. “Wish You Were Here.” The New York Times (March 19, 2009): Section F, Page 1.     

Zohn, Patricia. “Culture Zohn: Lisa Anne Auerbach and Jenny Holtzer: Art Meets Politics Over Words.” Huffington Post (March 13, 2009).    

Fuller, Daniel. “Comics of Salvation.” Art On Paper (November/December, 2008): 14-16.

Gersten, Lana. “Political Stitch: Knitting for Obama.” The Forward (October 16, 2008): 2.      

Oksenhorn, Stewart. “Poli-Knits: Lisa Auerbach fashions a message in sweaters.” Aspen Times (October 4, 2008): 27-28.     

Dawson, Jessica. “Emphasizing Inc. as an Artistic Medium; Baltimore’s Creative Stock Is Mostly on the Rise in ‘Cottage Industry’.” Washington Post (July 13, 2008): MO4.

Morris, Barbara. “Make You Notice' at SFAC Gallery” (review). Artweek v. 39 no. 5. (June 2008): 12-13

Cervasio, Stella. “Accademia Belle Arti in scena la ‘disturbata.’” La Republica (May 21, 2008).

Pepe, Anita. “Va in scena la realta quoidiana.” Roma (May 21, 2008).  

Berardini, Andrew. “Lisa Anne Auerbach: Auerbachtoberfest.” Art Review (January 2008).

Cotter, Holland. “Go Ahead, Expect Surprises.” New York Times (August 9, 2007).     

Leaver, Jon. “The L.A. County Fair: Paradise Lost, Lost, or Nostalgia Ain’t What it Used to Be.” X-TRA (Spring 2007).

Polgreen, Erin.“Art Space: Body Count Mittens Project.“ In These Times (April, 2007):41.

Warren, Ellen. “Making Trouble.“ Chicago Tribune Magazine (April 1, 2007): 15.

Witchel, Leigh. “Extreme Knitting.“ Knit.1 Magazine (Spring, 2007).                                                    

Schwendener, Martha. “Flair and Flash, Not Frumpiness.” The New York Times (January 27, 2007): Section B, Page 9.           

Harvey, Doug. “StreetSignism.” LA Weekly (November 17-29): 2006.                                                                                                                                                                              

Neil, Jonathan T.D. “Interstate: The American Road Trip.” Art Review (August 2006).                                                                                                                              

Pagel, David. “A passionate red-state manifesto.” Los Angeles Times (July 7, 2006).                                                                                                                  

Karni, Annie. “Road Rage: Reinterpreting ‘The American Road Trip’ at Socrates Sculpture Park.” (June 1, 2006).       

Holte, Michael Ned. “Preview: From California To the New York Island.” Artforum (Summer, 2006).                                                                                                                        

Dambrot: Shana. “Lisa Anne Auerbach: Fear No Sweater.” FiberArts Magazine, Jan/Feb, 2006.                                                                                                                                                       

Mangan, Lucy. “Frieze: A walk on the wild side: Lucy Mangan joins the Interlopers, a bizarre artists’ hiking club, as they amble (in fancy dress) along the corridors of the art fair.” The Guardian, October 21, 2005. Page 11.                      

Finkel, Jori, “Making the Desert Bloom Out West. Way Out West.” The New York Times, September 25, 2005. Section 2, page 36.    

Armstrong, Liz. “The Crafty Protester.” Chicago Reader, October 22, 2004.                                                                                                            

Timberg, Scott. “Shimmers in the Desert.” Los Angeles Times, May 25, 2003.

Green, David A. “Photography Los Angeles? Now Now.” LA Reader, September 8, 1995.

Curtis, Cathy. “Freeing Words From Their Life Sentence.” Los Angeles Times, February 22, 1994).




Back To Top