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Marnie Weber (born 1959) is an American artist who lives and works in Los Angeles. Her work includes photography, sculpture, installations, film, video, and performances. She is also a musician.

Marnie Weber was born in Bridgeport, Connecticut, U.S. and spent part of her childhood moving around Asia with her family. She studied at the University of Southern California, Los Angeles, CA, and received her B.A. from University of California, Los Angeles. She has had solo shows, video screenings, and performances throughout the United States and Europe.

Much of Weber's visual art revolves around a recurring cast of characters. An animal often found in her work is the bear, which is linked to the Greek goddess Artemis.[4] These characters, among others, are placed in "vividly colorful environment[s]", ornate, Empire style interiors or dark, dense, eerie landscapes. Her work most often focuses on the adventures of women, which sometimes take the form of half-human, half-animal hybrids with bodies cut from pornographic magazines, and other times, pale-faced, folksy ghosts known as "Spirit Girls".

Marnie Weber's work is featured on the cover of the 1998 Sonic Youth album A Thousand Leaves.

The Spirit Girls was the name of Marnie Weber's six member drone-rock musical group. The Spirit Girls is also the name of Weber's multimedia conceptual project which used film, sculpture, collage, installation and performance to explore the after-life of the all-female rock band featured in four Weber films: Songs that Never Die (2005), A Western Song (2007), The Sea of Silence (2009) and Eternity Forever (2010). In the films, the Spirit Girls "are the specters of five adolescents, killed in their prime, who come back to the real world to 'express things they weren't able to express' while they were alive." The spectral Spirit Girls are said to have died tragically in the male-dominated music scene of the 1970s. The opening of the final film in the series, Eternity Forever, was held at the Mountain View Mausoleum in Altadena, CA, built with a gallery for temporary art exhibits. The opening also featured the living Spirit Girls, who played their final concert to 500 equally alive attendees.

Weber has also performed and recorded with The Party Boys (US-band) and The Perfect Me. She has two solo albums, Woman with Bass, 1994 and Cry for Happy, 1996, both recorded as "Marnie". In 2004, a compilation of her work was released entitled Songs Forgotten: The Best of Marnie 1987 - 2004.

In 2016 Weber released a feature-length film, The Day of Forevermore, which she wrote and directed and features her artwork.

She is married to the Los Angeles-based artist Jim Shaw.

Her work has been associated with New Gothic Art.


b. 1959 Bridgeport, CT
Lives and works in Los Angeles, CA


1981     BA University of California, Los Angeles, CA

1979     University of Southern California, Los Angeles, CA


SOLO EXHIBITIONS                                                            

2016      Chapel of the Moon, GAVLAK, Los Angeles, CA

             Once Upon a Time in Forevermore, curated by Paul Bernard, MAMCO, Geneva, Switzerland

2015     The Ghost Train, curated by Owen Smith, Mattress Factory, Pittsburgh, PA

2013      The Day After Forevermore, Cardi Black Box, Milan, Italy
             The Nature of Time, Praz-Delavallade, Paris, France

2012      The Night of Forevermore, Marc Jancou Contemporary, New York, NY

The Whispering Cave, Lille3000, Fantastic, Le Tri Postal, Lille, France (curated by Eléonor Le Brun)

2011      The Autumn Bear, Palais de Tokyo, Paris, France

2010      Eternity Forever, Mountain View Cemetery and Mausoleum, West of Rome Public Art, Altadena, CA (curated by Emi Fontana)

             Marnie Weber, Forever Free, The Cinema Show: A Film Retrospective and Installations, Sculpture and Collage, Le Magasin

             Centre National d'Art Contemporain de Grenoble, Grenoble, France (curated by Yves Aupetitallot) (exhibition catalogue)

2009       The Campfire Song, Sint Lukas Galerie, Brussels, Belgium (curated by Ann Cesteleyn) (exhibition catalogue)

The Truth Speakers, Sea of Silence, Simon Lee Gallery, London, UK

The Bondage of Decay, Marc Jancou Contemporary, New York, NY

2008       The Melancholy Circus, Galerie Praz-DeLavallade, Paris, France

Saving the Farm, Bernier/Eliades Gallery, Athens, Greece

2007       A Western Song, Utställningar Hösten 07, Vita Kuben, Umea, Sweden

             Sing Me A Western Song, Patrick Painter Gallery Inc., Santa Monica, CA (exhibition catalogue)

             Variations on a Western Song, Fredericks Freiser Gallery, New York, NY

             From a Western Song, Emily Tsingou Gallery, London, UK

2005      From the Dust Room; Marnie Weber Survey Exhibition, curated by Julie Joyce, Luckman Gallery, California State University

             Los Angeles, Los Angeles, CA

Ghost Love, The Spirit Girls, Rosamund Felsen Gallery, Los Angeles, CA

Spirit Girls, Songs that Never Die, Galerie Praz-Delavallade, Paris, France

2004      Marnie Weber, Ten-Year Survey of Collage, Emily Tsingou Gallery, London, Unite Kingdom

2002      The Dollhouse, Fredericks & Freiser Gallery, New York, NY

Collages and Videos, Marella Arte Contemporanea, Milan, Italy

2001      Forever More, Galerie Praz-Delavallade, Paris, France

Who’s the Most Forgotten of Them All? Fredericks & Freiser Gallery, New York, NY

2000      Sleepy Weepy Stories, Rosamund Felsen Gallery, Los Angeles, CA

1999      Storybook Endings, Galerie Praz-DeLavallade, Paris, France

1998      The Tender Desert, Jessica Fredericks Gallery, New York, NY

             The Unlovables, Sheppard Gallery, University of Nevada, Reno, NV

             The Unlovables, Rosamund Felsen Gallery, Los Angeles, CA (traveling)

1997       Lost In The Woods, Jessica Fredericks Gallery, New York, NY

Destiny and Blow Up Friends, Milwaukee Art Museum, University of Wisconsin, Milwaukee, WI

1995       Quest for Happy, Andreas Brändström Gallery, Stockholm, Sweden

1992       Woman with Bass, Sue Spaid Fine Art, Los Angeles, CA



2016      The Day of Forevermore, The Theatre at the ACE Hotel, Los  Angeles, CA
             All Night Movies, Celine Gallery, Glasgow, UK

2015      MAMCO Presents: Live Tables, OVNI Video Festival, Nice, FR

             Twenty Years and Forevermore, An Evening of Marnie Weber Films, Video Screening and performance,

             Los Angeles Film Forum at The Velaslavasay Panorama Theater, Los Angeles, CA

             Strangelove: Moving Image Festival (The Night of Forevermore), Central Saint Martins, London, United Kingdom

             Songs That Never Die, Antidote, Mykonos Biennale, Mykonos,

             GR Destiny and Blow Up Friends, Trafic at the Home Cinema, Lausanne, CH
             Sea of Silence, Resonance, Interior & the Collective, Lyon, France

2014      Defibrillator – The Sea of Silence, 2009, Rapid Pulse International Performance Art Festival, Chicago, IL

The Night of Forevermore, CineMarfa, Marfa, TX

2013      Artist Film Club Presents The Night of Forevermore, Nitehawk Cinema, Brooklyn, NY

Begin Again: Marnie Weber 20 Years of Filmmaking, Spectacle Theater, Brooklyn, NY

2011      Mel’s Hole, Video Screening, Kavi Gupta Gallery, Berlin, Germany

             The Eternal Heart, Video Screening, The Art of Fear, Artist’s Films Inspired by Horror Cinema, Nitehawk Cinema, Brooklyn, NY

             The Eternal Heart, Video Screening, Art Los Angeles Contemporary, The Barker Hangar, Santa Monica, CA

             Cali-Stories, (video projection with Mike Kelley, Paul McCarthy, Jim Shaw, Catherine Sullivan), Le Quartier, Quimper, France

2010      Eternity Forever, Video Screening, The Eternal Heart, Mountain View Cemetery and Mausoleum, Altadena, CA

             À l’occasion de l’expostion de l’artiste, Video Screening, Forever Free, The Cinema Show: A Film Retrospective and Installations,

             Le Magasin – Centre National d’Art Contemporain (CNAC), FNAC, Grenoble, France

2009      Uncanny My Ass: Penetrating the Performative Object, curated by Doug Harvey, Echo Park Film Center, Los Angeles, CA

             Marnie Weber Artist Talk and Video Screening, Sea of Silence, Museum of Contemporary Art, Los Angeles, CA

             Marnie Weber Recent Films, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA

2008      Marnie Weber Select Films and Videos, BHC Kollektiv and Circle Culture, Berlin, Germany
             BHC TULCA 2008: I-podism, Cultural Promiscuity in the Age of Consumption, Merchants Road Building, Galway City, Ireland

2007      Marnie Weber: An Evening of Film and Performance, Billy Wilder Theater, Hammer Museum, Los Angeles, CA

             Renegade Artists: The Swedish Los Angeles Connection, High Energy Constructs, Los Angeles, CA

2005      From the Dust Room, Luckman Gallery, California State University, Los Angeles, CA

2003      La Question, curated by Stéphanie Moisdon, Magasin Centre National d’Art Contemporain de Grenoble, Grenoble, France,
             Program Video by BVD, curated by Nicolas Trembley, Morph, Shibuya, Tokyo, Japan (curated by Nicolas Trembley)

2000      Shoot/Moving Pictures by Artists, Malmö Konsthall, Sweden (traveling)

1997      A Trilogy for Happy, Rooseum Center for Contemporary Art, Malmö, Sweden

It’s The Cathode Ray, Big Sail Gallery, Los Angeles, CA (traveling); Kunstlerhaus Bethanien, Berlin, Germany

Screening Puppet Show, Malmö Art Academy, Malmö, Sweden



2018      Threes Company, organized by Aaron Wrinkle, Dan Graham pop-up, Los Angeles, CA
2017      Flaming June VII: Flaming Creatures, GAVLAK, Los Angeles, CA
             The Night of Forevermore, Psychopomp, Laband Art Gallery, Loyola Marymount, Los Angeles, CA
2016      Only Lovers, Le Couer Gallery, Paris, France
             Hearsay: Artists Reveal Urban Legends, curated by Wendy Sherman, presented

             by Arts Distrtict Center for the Arts, LosJoCos Gallery, Los Angeles, CA
2015      Ten Year Anniversary, Gavlak, Los Angeles, CA

             Thirty Shades of White, Praz-Delavallade Gallery, Paris, France

             Faux Amis, Simon Lee Gallery, London, United Kingdom

             Unicorn Girl Book Signing and Collages, Summer Group Exhibition, Gavlak, Los Angeles, CA
             Treasure Hunt, Antidote, Mykonos Biennale, Mykonos, Greece
             Project X Forum 5: PROGRAM FOR PARADISE, Occidental College, Los Angeles, CA
             The Owl, curated by Arnaud Brument, Incognito Artclub 24/24, Paris, France

2014      Otherwise, Chaos, curated by Timothée Chaillou, Apartment, Paris, France

             V E I L S, curated by Jhordan Dahl & Ariana Papademetropoulos, The Underground Museum, Los Angeles, CA

             Beyond Tomorrow, Quadriennale Düsseldorf, Düsseldorf, Germany

             Vernacular Alchemists, curated by Antoine Marchand & Etienne Bernard, Centre d’art Contemporain Passerelle, Brest, France

             Grey Flags, curated by Timothée Chaillou, Backslash Gallery, Paris, France

             Glitter, curated by Anna Ebner, Fluc, Vienna, Austria

             Hearsay: Artists Reveal Urban Legends, curated by Wendy Sherman, Grand Central Art Center, Santa Ana, CA

2013      Ceremonie, Une Exposition de Timothée Chaillou, Melinda Gloss, Paris, France

             Bunny Smash – Design to Touch the World, curated by Yuko Hasegawa, Museum of Contemporary Art, Tokyo, Japan

             Au delà du miroir, Le Parvis Scène Nationale Tarbes Pyrénées, Tarbes, France

             Room to Live: Recent Acquisitions and Works from the Collection, curated by Bennett Simpson, MOCA, Los Angeles, CA

             Si l’art de la parure m’était conté, Château du Rivau, Lémeré, France

             More Young Americans, curated by Susanne Van Hagen, L’Enclos des Bernardins, Hôtel de Miramion, Paris, France

2012      Rendez-Vous A Paris: Unlimited Bodies, curated by Caroline Smulders & Jerome Lefèvre, Palais d’léna, FIAC,

              Paris, France (exhibition catalogue)

             Rouge, Maison Particulière, Bruxelles, Belgium

             A Tribute to Mike Kelley, MOCA, Los Angeles, CA

             “Lost (in LA)”, curated by Marc-Olivier Wahler, presented by FLAX (French Los Angeles Exchange), LA Municipal Art Gallery,

             Barnsdall Park, Los Angeles, CA

             For the Martian Chronicles, curated by Yael Lipschutz, L & M Arts, Venice, CA

             Mash Up: Collage from 1930 to the present, L & M Arts, Venice, CA

             La Voix Dissociée, curated by Paul Bernard, Centre Pompidou, Paris, France

2011      Have You Seen Me? (Collaborative Project), curated by Tanya Haden & Anna Oxygen, La Cienega Projects, Culver City, CA

Interchange, curated by Anna Meliksetian, Exchange LA, Los Angeles, CA

Dazed Covers at Colette, Colette, Paris, France

En Piste!, Domaine départemental de Chamarande, Chamarande, France

Collage, curated by Luca Beatrice, Ermanno Tedeschi Gallery, Torino, Italy

Material Spiritual World, curated by Filip Luyckx, Deweer Gallery, Otegem, Belgium

Summer Group Show: Recent Work by Gallery Artists, Marc Jancou Contemporary, New York, NY

The Archaic Revival, curated by Dani Tull, La Cienega Projects, Hollywood, CA

Sympathetic Magic: Video Myths and Rituals, curated by Catherine Taft, The Armory Center for the Arts, Pasadena, CA

2010      The Artists Museum, Museum of Contemporary Art, Los Angeles, CA

             Points of View, Portugal Arte, curated by Stefan Simchowitz, Lisbon, Portugal
             Art Shack, curated by Greg Escalante, Laguna Art Museum, Laguna, CA
             Uncontrollable Flesh, curated by Sarvia Jasso, BAM/PFA, Berkeley, CA

             39Now, curated by Sophia Louisa, Den Contemporary Art, Pacific Design Center, West Hollywood, CA

2009      Unusual Behavior, curated by Heather Jeno Silva, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA

             Le Sort Probable de L’homme Qui Avait Avalé Le Fantôme, Centre Des Monuments Nationaux, En collaboration

             avec le nouveau festival du Centre Pompidou, Paris, France

             Sonic Youth Etc., Sensational Fix, CA2M, Centro de Arte Dos de Mayo, Madrid, Spain

             Collecting History: Highlighting Recent Acquisitions, curated by Ann Goldstein and Bennett Simpson,

             The Museum of Contemporary Art, Los Angeles, CA

2008      Sonic Youth etc., Sensational Fix, (curated by Roland Groenenboom, Lieu International des Formes Emergentes, St. Nazaire,

             France (traveling); Fondazione Museion Museo D’Arte Modernae Contemporanea (Museion), Bolzano, Italy;

             Kunsthalle Dusseldorf, Dusseldorf, Germany; Malmö Kunsthalle, Malmö, Sweden (exhibition catalogue)

             Tales of Wonder and Woe: Fable and Fairy Tale in Contemporary Art, curated by Susan M. Canning, Castle Gallery,

             College of New Rochelle, New Rochelle, NY

             When it's a Photograph, curated by Soo Kim, Otis College of Design's Bolsky Gallery, Los Angeles, CA
              Busan Biennial, curated by Nancy A Barton and Michael Cohen, Busan Museum of Modern Art, Busan, Korea
             Mel’s Hole, curated by Doug Harvey, Grand Central Art Center, Santa Ana, CA (exhibition catalogue)

             Curiouser and Curiouser, curated by Alison Hatcher, McLean County Arts Center, Bloomington, IL

             Good Dolls Bad Dolls, curated by Michael Duncan, The Armory, Pasadena, CA
              4e Biennale d'art performatif de Rouyn-Noranda, curated by Stefan St-Laurent, L’Écart, Québec, Ontario, Canada

             Fabricated Artifictions and Other Costume-Based Works, curated by Vanessa Porter, Highways Inc, Santa Monica, CA

             Cultural Promiscuity in the Age of Consumption, TULCA 2008: I-podism, Galway, Ireland

             It’s A Celebration, Circus Gallery, Los Angeles, CA

             ONE SHOT: 100X100, LA ART, Los Angeles, CA

             Cumáky Zobáky Sosáky, Galerie Califia, Zámek Horazdovice, Czech Repulic

2007       Sympathy for the Devil: Art and Rock and Roll Since 1967, curated by Dominic Molon, Museum of Contemporary Art, Chicago, IL

             Ten Years, Emily Tsingou Gallery, London, UK

             LA Bodies: Figuration in Sculpture, Angles Gallery, Santa Monica, CA

             Multiple Vantage Points: Southern California Women Artists, 1980-2006, curated by Dextra Frankel, The Municipal Art Gallery,

              Barnsdall Art Park, Los Angeles, CA (exhibition catalogue)

             Alterations, Elsentrager-Howard Gallery, University of Nebraska, Lincoln, NE

             Art Project, Yvon Lambert, Paris France

             What Glue Do You Use, Cardenas Bellanger, Paris, France
              Group Show, Bernier/Eliades Gallery, Athens, Greece
             Powder Room, Track 16, Santa Monica, CA

2006       All We Ever Wanted Was Everything, Centre d’Art Contemporain, La Synagogue de Delme, France

Captive, curated by Carol Cheh and Kristen Raizada, Gatov Galleries, California State University Long Beach, CA

The Black Show, curated by Daniel Mendel-Black, David Patton, Los Angeles, CA

2005       Vandspejl, (Hans Christian Andersen’s work), The Arts Club, London, UK

             Very Early Work, curated by Richard Torchia, Luckman Gallery, California State University Los Angeles, CA

             100 Artists See God, Contemporary Art Center of Virginia, Virginia Beach, VA

2004       Walking on Elbows, curated by Mindy Shapero, Anna Helwing Gallery, Culver City, CA

Fractured Fairytales, curated by Pam Posey, Sam Francis Gallery, Crossroads School, Santa Monica, CA

Certain Traces: Dialogue Los Angeles/Prague, Barnsdall LA Municipal Art Gallery, Los Angeles, CA (traveling); Museum Kampa, Prague, Czech Republic (exhibition catalogue)

100 Artists See God, curated by Meg Cranston and John Baldessari, Contemporary Jewish Museum, San Francisco, CA (exhibition catalogue)

100 Artists See Satan, curated by Andrea Harris, Grand Central Art Center, California State University Fullerton, Fullerton, CA (exhibition catalogue)

Writing, Images, Ideas: Walter Benjamin and the Art of Present Day, Haus am Waldsee, Berlin, Germany

Channel 0, CATV Project, Akiyoshidai International Art Village, Yamaguchi, Japan

2003      Variations on the Theme of Illusion, Emily Tsingou Gallery, London, United Kingdom

             Los Angeles Post Cool, curated by Michael Duncan, Otis College of Art and Design, Los Angeles, CA (traveling)

             6 plus 1, F Space, University of Southern California, Los Angeles, CA

             The Greatest Album Covers That Never Were Curated by Michael Ochis, Track 16 Gallery, Los Angeles, CA

2002      Netherlands Per Saldo, Noordbrabants Museum Hertogenbosch, Netherlands (exhibition catalogue)
             Los Angeles Post Cool, curated by Michael Duncan, San Jose Museum of Art, San Jose, CA (traveling)
             Wonderland, Aeroplastics Contemporary, Brussels, Belgium

             Xeroxes, Centre National d’Art Contemporain de Grenoble, Grenoble, France

             Subject Matters, Kracets/Wehby Gallery, New York, NY

             The Shirt Off Your Back, Santa Monica Museum of Art, Santa Monica, CA

             Photobiennale, Maison de la Photographie de Moscou, Moscow, Russia

2001      Diabolical Beauty, curated by Jane Callister and Colin Gardner, Contemporary Arts Forum, Santa Barbara, CA 

             Tattoo, Modern Art Inc., London

             All Work and No Play Makes Jack a Dull Boy, Gallery Francesca Pia, Bern, Switzerland

             The Portrait Show, New Image Art, West Hollywood, CA

             Show Room, Galerie Praz-Delavallade, Paris , France

             The “W” Show, curated by Bob Nikas, FRAC Franche-Comté, Musée de Beaux Arts, Dole, France

             Circus Circus, Norrtälje Konsthall, Norrtälje, Sweden (traveling)

             Le Printemps de Septembre, Programmation Vidéo, Toulouse, FR

2000      My Living Doll, curated by Michael Duncan, Chapman University, Orange, CA
             Philosophy in the Bedroom, Or Gallery, Vancouver, Canada

              Picturing the Modern Amazon, New Museum, New York, NY 

1999      Flash 99, Brigitte March Galerie, Stuttgart, Germany (traveling)

Papermake, Modern Art Incorporated, London, United Kingdom

Pleasure Dome, Jessica Fredericks Gallery, New York, NY
Jim Shaw/Marnie Weber Recent Works, Project, Wichita, KS
Antiworld, Gallery: Untitled, Dallas, TX

Treatment: Women’s Bodies in Medical Science & Art, Dinnerware Contemporary
Art Gallery, Tucson, AZ

Couples Show, 1970 North Bronson, Hollywood, CA
Pasadena Adjacent, Richard Heller Gallery, Santa Monica, CA
A Girl Like You, Galerie Praz-Delavallade, Paris, France

25 ans de collection d’Art contemporain 1974-1999, SACEM, Paris, France

1998      Transfiguration, Bronwyn Keenan Gallery, New York, NY

Life Lessons: How Art Can Change Your Life: The Judy and Stuart Spence Collection, Laguna Art Museum, Laguna Beach, CA

Lost and Found, Post, Los Angeles, CA

Fictional Biographies, Rio Hondo College Art Gallery, Whittier, CA

21st Annual Benefit Auction, The New Museum of Contemporary Art, New York, NY

L.A. On Paper 2 (Fantastic Matter of Fact), Galerie Krinzinger, Vienna, Austria

Reverb, Brewery Project, Los Angeles, CA

1997      A Trilogy for Happy, Rooseum Center for Contemporary Art, Malmö, Sweden

             Bring Your Own Walkman, W139, Amsterdam, The Netherlands
             Her Eyes Are a Blue Million Miles, Jason & Rhodes, London, UK
             Summer of Love, Fotouhi Cramer, New York, NY

1996      Las Vegas and Jeffrey Vallance presents: The Magic Show, Magic and Movie Hall of Fame, Contemporary Arts Collective, Las Vegas,                 NV

Las Vegas and Jeffrey Vallance presents: The Cranberry Show, The Cranberry Museum, Contemporary Arts Collective, Las Vegas, NV

ACME, Santa Monica, CA

1995       Smells Like Vinyl, Roger Merians Gallery, New York, NY

Felicity, Jan Baum Gallery, Los Angeles, CA

1993       Otis Alternatives: AIDS Memorial, Otis College of Art and Design, Los Angeles, CA

1992       Woman With Bass, Sue Spaid Fine Art, Los Angeles, CA



2018      F for Un, Bob Baker's Marionette Theatre, Los Angeles, CA
2016      F for Freak! Hearsay: Artists Reveal Urban Legends, curated by Wendy Sherman &

             Jonathan Jerald, Losjocos, Los Angeles, CA

2015      Unicorn Girl Reading Performance, Gavlak, Los Angeles, CA

             F for Evermore, Marnie Weber: Twenty Years and Forevermore, Los Angeles

             Filmforum, Velaslavasay Panorama, Los Angeles, CA
2014      The Spirit Girls, Festival Supreme, Circus of Death, curated by Steven Hull, Shrine
             Auditorium, Los Angeles, CA

             F for Chaos Perform Chinatown, Los Angeles, CA

             F for Moldy Slides, Doug Harvey’s Found Moldy Slides, Jancar Gallery, Chinatown, Los Angeles, CA

2011      F for Ache, Faüxmish, Record Release Party & Debut Performance, Human Resources, Los Angeles, CA

Perform Now, Chinatown, curated by Lee Lynch, Originated at Jancar Gallery, Los Angeles, CA

Late Night: The Inquisitive Musician, curated by Cindy Bernad, LACMA, Los Angeles, CA

2010      Eternity Forever, Mountain View Cemetery and Mausoleum, Altadena, CA

2008     Some Paintings: The LA Weekly Biennial, curated by Doug Harvey, Track 16, Santa Monica, CA

High Desert Test Sites, part of 2008 California Biennial, curated by Andrea Zittel,
The Palms, Wonder Valley, CA

2007      The Spirit Girls' Holiday Spectacular, Dangerous Curve, Los Angeles, CA

An Evening of Film and Performance, Hammer Museum, Los Angeles, CA

2006      High Energy Constructs, Los Angeles, CA

2005      The Spirit Girls: The Rock Opera, Luckman Theater, California State University, Los Angeles, CA

2002      I'm Not A Bunny, San Jose Museum of Art, San Jose, CA

2000      Poor Them, Norrtälje Konsthall, Norrtälje, Sweden

1998      In From Outer Space, Spaceland, Silverlake, CA

1996      Cry for Happy, ACME, Santa Monica, CA
             Delta, Prague, Czech Republic
             Spaceland, Silverlake, CA

Impala Cafe, Los Angeles, CA

1995      Acme, Santa Monica, CA

Bodies, San Diego, CA

Theoretical at the Faultline, Hollywood, CA

1994      Santa Monica Museum of Art, Santa Monica, CA

             Los Angeles Contemporary Exhibitions, Los Angeles, CA
             Rosamund Felsen Gallery, Hollywood, CA

             Gallery Klenova, Klenova Castle, Zamec, Czech Republic
             Repra Club, Obecnidum, Prague, Czech Republic

             Alterna Komotovka, Prague, Czech Republic

             O.K. Club, Osthaven, Czech Republic

1992      Circus Girl Goes Downtown, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA
             Far Fetched, Foundation for Art Resources, Sokol Hall, Hollywood, CA

1991      Al’s Bar, Funny Hats Sell Beer, Los Angeles, CA

1990      Theatre Carnivale, Club Olio, Hollywood, CA

             Rosie Luv, Los Angeles Contemporary Exhibitions (LACE) Valentine’s Day Benefit, Los Angeles, CA

1989      Songs From Intimacy Island, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA

1988      Music For Daydreaming, New Salon Gallery of Contemporary Fine Art, Venice, CA

1987      Shanghai My Heart To The Inland Sea, Theatre Carnivale, Variety Arts Center, Los Angeles, CA
             Keiko at High Performance Benefit, Club Lingerie, Los Angeles, CA

             Of Caryatids, Of Rat, Of Marnie, Rebel Art Gallery, Hollywood, CA


The Hammer Museum, Los Angeles, CA
Museum of Contemporary Art, Los Angeles, CA
The Los Angeles County Museum of Art, Los Angeles, CA
Neuberger Berman, Inc., New York, NY
Progressive Corporation, Mayfield, OH
FRAC, Paris, France
Miniature Museum, Amsterdam, NL
Museum of Contemporary Art San diego, CA
Santa Barbara Museum of Art, CA

2016      Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction             
             by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland
2015      Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication
2010      Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by
             Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike
             Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de
             Grenoble, France
2007      Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter
              Gallery, Santa Monica, CA
2005      Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey
              Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los
              Angeles, CA

2008     Marnie Weber, Lonely Soundtracks, 1993 – 2008
2005     Songs Forgotten: Selections From Marnie Weber 1989 – 2004
1996     Cry for Happy. Ecstatic Peace! / The End is Here Records
1994     Woman with Bass. Penguin Ltd. Athens, Greece
1990     Viva Los Angeles, II
             Songs Hurt Me. Penguin Ltd. Athens, Greece

2011       Faüxmish, F for Ache, Redacted Records
2007       Forever Free, The Spirit Girls, End is Here Records/Trackwerx
2002       The Perfect Me, The Very Best of…  End is Here Records
1987       Daddyland, Party Boys, Nate Starkman and Sons Records
1983       Truckers’ Strike. Party Boys, Iridescence Records
1982       No Aggro. Party Boys, Independent Project Records

2016       By The Light of the Moon, Body/Head: Live at Hassle Fest (unique vinyl)
2013     Bunny Smash: Design to Touch the World, Film Art (hard cover)

2010       Les Inrockuptibles, Un printemps 2010 (C.D.)

2009       Dearest Creature, Amy Gerstler, Penguin Poets (paperback)
             Fondant Pig Angst, Juliet Cook, Slash Pine Press (paperback)
             The Ravenous Audience, Poems by Kate Durbin, Black Goat (paperback)
             The Jukebox of Human Sorrow, Automatics, Dork Records (C.D.)

2006       13 Black Birds, 17 Pygmies, Trakwerx, (C.D.)

2005       Venusia, Mark von Schlegell, Semiotext Publications (paperback)

2000       Spring Journal, No. 2 (journal)

1998       A Thousand Leaves, Sonic Youth, Geffen Records (C.D.)



2017      Pagel, David. “No wallflowers here: Sparks fly when art mingles on the walls of 'Flaming

               June VII',” Los Angeles Times, June 27.


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